The idea of an award winning an award is pretty meta, but I can’t begin to express how amazed, thrilled, and proud that the Best Translated Book Awards are a finalist for the inaugural International Book Industry Excellence Awards presented by the London Book Fair and the UK Publishers Association.
The Awards which celebrate international excellence in the book industry, cover all aspects of the business of international publishing, including academic publishing, the supply chain, education, children’s publishing and digital innovation. A panel of UK judges, with international or discipline-specific expertise, have judged the individual award categories.
And here’s the complete list of finalists, starting with the category I’m personally most interested in:
The International Literary Translation Initiative Award
Best Translated Book Award; Penguin India; Shanghai 99 (China)
IPA Freedom to Publish Award
Irina Balakhonova (Russia), Nguyen Vu Binh (Vietnam), Ihar Lohvinau (Belarus), Myay Hmone Lwin (Myanmar), Ilbay Kahraman (Turkey), Afghan PEN Centre
Korea Market Focus Outstanding Contribution Award
Brother Anthony of Taizé (An Sonjae); Eric Yang Agency; Barbara J. Zitwer Agency
The Bookseller International Adult Trade Publisher Award
Fixi, Malaysia; Kero, France; Silverfish, Malaysia
The Crossmedia Award for Best Use of IP
Chronicle Books US; Penguin Australia; Robert Kirkman, Skybound (US); Rovio, Angry Birds (Finland)
The International Academic and Professional Publisher Award
Sage (US); University of Chicago Press
The International Education Initiatives Award
Fatih Project Turkey; Indigenous Literacy Foundation Australia; Knowledge without Borders (UAE)
The International Educational Learning Resources Award
Penguin Australia; HarperCollins India; Oxford University Press (Brazil)
The International Literary Agent Award
Pierre Astier, Pierre Astier & Associates (France); Anneli Høier, Leonhardt & Høier Literary Agency (Denmark); Nicole Witt, Mertin Literary Agency (Germany)
The International Trade Children’s and Young Adult Publisher Award
Cosac Naify (Brazil); Kalimát Publishing (Sharjah, UAE); Tara Books (India)
The UK Publishers Association Copyright Protection Award
Bholan Boodoo, Publishers Territory Manager (Guyana); Manas Saikia, Feel Books (India); Emrah Ozpirincci, Oxford University Press (Turkey); Copyright Clearance Centre (US); Oxford University Press (Pakistan)
The Market Focus Achievement Award
Jo Lusby, Penguin China; Nermin Mollaoglu, Kalem Literary Agency (Turkey); Motilal Books of India
The Publishers Weekly International Book Industry Technology Supplier Award
Datamatics (India); Publishing Technology (China)
Unfortunately, I couldn’t obtain funding from the University of Rochester to attend the awards ceremony, so, instead, I’ll be stuck in Rochester on April 8th instead of enjoying the company of the most influential publishing people on the planet. So, if we win, I want all of you to have a special glass of wine on our behalf that evening. I’m not going to let my bitterness detract from the HUGE HONOR it is to be listed among all these other luminaries . . . And it reinforces my belief that the most important thing I’ve ever done in my career is start this award . . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .