The idea of an award winning an award is pretty meta, but I can’t begin to express how amazed, thrilled, and proud that the Best Translated Book Awards are a finalist for the inaugural International Book Industry Excellence Awards presented by the London Book Fair and the UK Publishers Association.
The Awards which celebrate international excellence in the book industry, cover all aspects of the business of international publishing, including academic publishing, the supply chain, education, children’s publishing and digital innovation. A panel of UK judges, with international or discipline-specific expertise, have judged the individual award categories.
And here’s the complete list of finalists, starting with the category I’m personally most interested in:
The International Literary Translation Initiative Award
Best Translated Book Award; Penguin India; Shanghai 99 (China)
IPA Freedom to Publish Award
Irina Balakhonova (Russia), Nguyen Vu Binh (Vietnam), Ihar Lohvinau (Belarus), Myay Hmone Lwin (Myanmar), Ilbay Kahraman (Turkey), Afghan PEN Centre
Korea Market Focus Outstanding Contribution Award
Brother Anthony of Taizé (An Sonjae); Eric Yang Agency; Barbara J. Zitwer Agency
The Bookseller International Adult Trade Publisher Award
Fixi, Malaysia; Kero, France; Silverfish, Malaysia
The Crossmedia Award for Best Use of IP
Chronicle Books US; Penguin Australia; Robert Kirkman, Skybound (US); Rovio, Angry Birds (Finland)
The International Academic and Professional Publisher Award
Sage (US); University of Chicago Press
The International Education Initiatives Award
Fatih Project Turkey; Indigenous Literacy Foundation Australia; Knowledge without Borders (UAE)
The International Educational Learning Resources Award
Penguin Australia; HarperCollins India; Oxford University Press (Brazil)
The International Literary Agent Award
Pierre Astier, Pierre Astier & Associates (France); Anneli Høier, Leonhardt & Høier Literary Agency (Denmark); Nicole Witt, Mertin Literary Agency (Germany)
The International Trade Children’s and Young Adult Publisher Award
Cosac Naify (Brazil); Kalimát Publishing (Sharjah, UAE); Tara Books (India)
The UK Publishers Association Copyright Protection Award
Bholan Boodoo, Publishers Territory Manager (Guyana); Manas Saikia, Feel Books (India); Emrah Ozpirincci, Oxford University Press (Turkey); Copyright Clearance Centre (US); Oxford University Press (Pakistan)
The Market Focus Achievement Award
Jo Lusby, Penguin China; Nermin Mollaoglu, Kalem Literary Agency (Turkey); Motilal Books of India
The Publishers Weekly International Book Industry Technology Supplier Award
Datamatics (India); Publishing Technology (China)
Unfortunately, I couldn’t obtain funding from the University of Rochester to attend the awards ceremony, so, instead, I’ll be stuck in Rochester on April 8th instead of enjoying the company of the most influential publishing people on the planet. So, if we win, I want all of you to have a special glass of wine on our behalf that evening. I’m not going to let my bitterness detract from the HUGE HONOR it is to be listed among all these other luminaries . . . And it reinforces my belief that the most important thing I’ve ever done in my career is start this award . . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .