Following up on yesterday’s post about the Helen and Kurt Wolff Symposium I thought I’d pass along the list of works (and publishers) that Denis Scheck recommended in his presentation on contemporary German literature.
Denis Scheck is one of Germany’s most respected critics, and has both a radio and a TV show about books. He’s also a translator and a literary editor. (He used to have a line of books that in some way related to the sea—which included books such as David Foster Wallace’s A Supposedly Fun Thing I’ll Never Do Again for the title essay about a cruise ship (which is one of the funniest pieces I’ve ever read)—and is now starting a line of food-related books.)
Here’s the recommendations he gave us:
I want to personally second this. Daniela was at the symposium, so I got to know her a bit, and she’s an incredible person. Her poetry was beautiful (although I don’t understand a word of German, I was still blown away by the poems she read in the original) and her publishing house is incredibly interesting. She gave a speech about Kookbooks and how it came out of an artistic movement that included a record label, various visual art projects, etc., all under the label of “Kook.” The books themselves are gorgeous—very high quality, all designed with a similar sort of abstract and eye-catching artwork—and relatively inexpensive. (Because she has almost no overhead—and no employees—she’s able to keep the prices under 20 euro, which is pretty amazing for hardcovers of this quality.) The titles are fairly experimental, and the list features a lot of younger authors who she’s trying to grow with the press. Definitely worth checking out.
Isabel Kreitz: Der 35. Mai. Als Comic. (Dressler Verlag)
Anke Feuchtenberger/Kathrin de Vries: Die Hure H wirft den Handschuh (Reprodukt Verlag)
Volker Reiche: Strizz (FAZ)
There was a bit of discussion about graphic novels (especially since this is so hot in the States these days), which is why Denis recommended the three above titles.
Hoppe was actually in the States for the PEN World Voices festival a few years back. She’s someone who comes up time and again in glowing terms, yet none of her titles have been translated into English . . . This title is a children’s book.
The book of Kuhn’s that sounds most interesting to me is one he wrote years ago that relates 29 imaginary biographies of Napoleon.
This is the author that the three women who won the Susan Sontag Translation Prize are working on. The book they’re translated (yes, it is a collaborative translation) is Koppstoff: Kanaka Sprak vom Rande der Gesellschaft, which consists of 26 fictionalized voices of Turkish women in Germany. They read a section of this at the symposium that enthralled everyone. (It helps that this came at the end of the day and was a very energetic, flowing rant filled with vular language and slang. It had an amazing rhythm, and I think all of the publishers in the room were very enthused . . . )
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .