Here’s part of Orlando Archibeque’s review of the documentary:
This documentary’s major strength (others would say its major weakness) is that it is a bit of everything — part biography, part literary criticism, part hero-worship, part book reading, and part psychology. The subtitle “Mirror Man” is a reference to the frequent occurrence of mirrors in his works. One of the most interesting subjects in this video is a discussion of Borges’s fascination with and fear of mirrors during his formative years, and how these fears are manifested in his writings.
Archival footage gives a flavor of the significant historic events in 20th century Argentina and their influences on Borges from childhood until his death in 1986. Still photographs from a variety of repositories and personal collections bring to life the young Borges, who began writing seriously at the very early age of 9. The filmmaker, Philippe Molins, also makes use of dramatic reenactments showing Borges as a child and young adult. Additionally, archival interviews with Borges and with significant others, including his second wife, María Kodama Borges (an Argentinian of Japanese descent), his mother, Leonor Acevedo de Borges, and friend and author-collaborator Adolfo Bioy Casares, provide important insights into the life and literature of Borges in his middle- and later-years. The interviews with his second wife and mother are the most captivating sequences in the video. Finally, at appropriate times in the video, there are brief readings from both well known and lesser-known works.
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .