Not sure how I missed this when it first came out, but this piece in the Independent is fascinating:
House sales have plunged, automobiles have tanked, and credit is throttled, but Spain is experiencing an unprecedented boom in books. Once the nation that read fewer books than any other in Europe, Spaniards have become voracious readers, devouring more books than ever before.
Spain’s book trade has not only escaped the downturn afflicting the rest of the economy, but is spectacularly bucking the trend. Publishing houses say business last year broke all records, and they predict even better results for 2008. The sector was said to be euphoric [. . .]
Funny—“euphoric” is the last word that I would ever associate with publishers and/or any discussion of a nation’s reading habits. . . .
And these stats!
Even with the leap in literacy of recent years, Spaniards were slow to adopt the reading habit. Not so long ago, more than 50 per cent said they had never read a book, nor had one at home. Now 57 per cent claim to read regularly.
Everything about this stands in stark contrast to the situation here in the States, where Cody’s goes out of business and we’re constantly talking about the decline of readership . . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .