Thanks to our new access to Edelweiss and Aaron Westerman’s incredibly valuable spreadsheet, I was finally able to update the 2014 Translation Database and post it online.. And unlike years past when the spring update has a couple hundred books and seems remarkably incomplete, I’ve already identified 442 works of translated fiction and poetry coming out this year.
To put that in perspective, in 2012 there were 453 total translations published, and 524 in 2013. (Both of these spreadsheets have been updated as well. Click here for 2012 and here for 2013.. The previous four years of data are the same as they were last time I updated this.)
It’s kind of unbelievable that we’ve been keeping this database for seven full years now . . . As of this moment, the database on my computer where all of these books are entered has listings for 2,888 titles. That’s not bad . . . And I’m sure my 2014 list is incomplete. If you know of books that are missing, please let me know.
Here are a few notes about the list of translations coming out this year:
I’ve been highlighting a handful of titles each month, but hopefully we’ll be able to do a Three Percent podcast in the near future with a broad overview of 2014 translations to look forward to.
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .