Thanks to our new access to Edelweiss and Aaron Westerman’s incredibly valuable spreadsheet, I was finally able to update the 2014 Translation Database and post it online.. And unlike years past when the spring update has a couple hundred books and seems remarkably incomplete, I’ve already identified 442 works of translated fiction and poetry coming out this year.
To put that in perspective, in 2012 there were 453 total translations published, and 524 in 2013. (Both of these spreadsheets have been updated as well. Click here for 2012 and here for 2013.. The previous four years of data are the same as they were last time I updated this.)
It’s kind of unbelievable that we’ve been keeping this database for seven full years now . . . As of this moment, the database on my computer where all of these books are entered has listings for 2,888 titles. That’s not bad . . . And I’m sure my 2014 list is incomplete. If you know of books that are missing, please let me know.
Here are a few notes about the list of translations coming out this year:
I’ve been highlighting a handful of titles each month, but hopefully we’ll be able to do a Three Percent podcast in the near future with a broad overview of 2014 translations to look forward to.
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .