14 July 08 | Chad W. Post

This is the seventeenth Reading the World 2008 title we’re covering. Write-ups of the other titles can be found here. And information about the Reading the World program—a special collaboration between publishers and independent booksellers to promote literature in translation throughout the month of June—is available at the official RTW website. There’s also a podcast discussing RTW available from World Books.

One of the best selling points for Yan Lianke’s Serve the People! is the quote on the back from the Chinese Central Propaganda Bureau:

This novel slanders Mao Zedong, the Army, and is overflowing with sex. . . . Do not distribute, pass around, comment on, excerpt from it, or report on it.

This kind of negative attention is a publisher’s dream . . . As explained in the flap copy, when this book was written in 2005, it was deemed “unpublishable by China’s state-run publishing houses.” Thanks to the interview, this quickly became a cult classic.

Sexual insinuations in the jacket copy doesn’t hurt either:

Serve the People! is a beautifully told, wickedly daring story about the forbidden love affair between Liu Lian, the young, pretty wife of a powerful division commander in Communist China, and her household’s lowly servant, Wu Dawang. Left to idle at home while her husband furthers the revolution, Liu Lian establishes a rule for her orderly: whenever the household’s wooden “Serve the People!” sign is removed from its usual place on the dinner talbe and placed elsewhere, Wu Dawang is to stop what he is doing to attend to her needs upstairs.

E. J. wrote a long review of this back some time ago, ending with:

And much of that first two-thirds feels pretty familiar, which left me wanting Lianke to just get Wu Dawang and Liu Lian together, so he could get on with the rest of his story. Anyone who has seen a romantic comedy and gets to the part when misunderstandings-or-outside-forces-are-temporarily-driving-
satisfying knows what I’m talking about, but in this case with a lot more sex once they get together.

Once he gets them together however, Lianke’s story does take on a more elegiac and, to me at least, far more interesting tone. And the book does have a few powerful moments toward the end, when the current of criticism that runs through the plot—how constricting these communist slogans, once internalized, have become, and how they are used and twisted by all and sundry just to get by—affects the plot and the characters most directly and more deeply.

Comments are disabled for this article.
We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >

Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >

The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >