1 July 14 | Kaija Straumanis

This match was judged by Stephen Sparks. For more info on the World Cup of Literature, read this, and download the updated bracket.

The battle between Honduras and Bosnia and Herzegovina is a contrast in style. This is obvious as the two teams line up for pre-match ceremonies: on one side, Horacio Castellanos Moya’s understated Senselessness, with a few tasteful blurbs—from Roberto Bolaño, Russell Banks, and Francisco Goldman—adorning the back jacket; on the other side is Saša Stanišić’s gaudy How the Soldier Repairs the Gramophone, with its bold, ALL CAPS, multi-colored blurbs, pages and pages of extravagant praise, and a “Reading Guide,” designed no doubt to help palliate those readers concerned about the accents in the Bosnia author’s name. The packaging of How the Soldier Repairs the Gramophone feels compensatory, too showy. As it preens and struts, confident of its greatness, Senselessness gets right to work, scoring an early goal with its crisp opening salvo:

I am not complete in the mind, said the sentence I highlighted with the yellow marker and even copied into my personal notebook, because this wasn’t just any old sentence, much less some wisecrack, not by any means, but rather the sentence that astonished me more than any other sentence I read that first day on the job, the sentence that most dumbfounded me during my first incursion into those one thousand one hundred almost single-spaced printed pages placed on what would be my desk by my friend Erick so I could get some idea of the task that awaited me.

Honduras 1 – 0 Bosnia and Herzegovina

After these initial maneuvers, the Bosnians marshal their forces, realizing that a nifty kit alone does not a soccer team make, especially not in fevered battle against a righteously angry and caustic opponent. They launch an offensive, with a series of beautifully executed passes, backing the Hondurans into their own end. Stanišić’s use of chapter summaries (reminiscent of E.T.A. Hoffmann) is clever and worthy of appreciation. We learn, for instance, that Chapter Five will explain the following:

When something is an event, when it’s an experience, how many deaths Comrade Tito died, and how the once-famous three-point shooter gets behind the wheel of a Centrotrans bus

And that later, as the novel moves from more or less innocent childhood memories to war and genocide, we’ll understand:

What we play in the cellar, what peas taste like, why silence bares its fangs, who has the right sort of name, what a bridge will bear, why Asija cries, how Asija smiles

This seldom used tactic results in a goal by Stanišić’s side.

Honduras 1 – 1 Bosnia and Herzegovina

This might be the most fevered, high-strung match in the World Cup of Literature, with lulls in play coming few and far between. Each side seems intent on pummeling the other into submission, and goals are scored in bunches: Castellanos Moya’s wicked humor and coiled sentences spring into action, tilting things in Honduras’ favor . . .

Honduras 2 – 1 Bosnia and Herzegovina

. . . and Stanišić’s effective, if occasionally too cute heartstring-tugging getting the Bosnians back into the match . . .

Honduras 2 – 2 Bosnia and Herzegovina

. . . then, Senselessness gets really offensive with an STD, sending the Bosnians scurrying back on defense . . .

Honduras 3 – 2 Bosnia and Herzegovina

. . . after regrouping—nothing a little penicillin can’t cure, boys!—the Soldier and his Gramophone comes back strong, striking two goals in quick succession with a one-legged former soccer player, Kiko, and twenty pages of a No Man’s Land soccer match that involves cowardice, duplicity, a 6’9” tall lethal striker nicknamed Mickey Mouse, land mines, and a miracle comeback for the ages. The Hondurans are reeling, they can’t hold up against this onslaught. With their hyperactive exuberance, the Bosnians take the lead.

Honduras 3 – 4 Bosnia and Herzegovina

What do the Hondurans have left as we near the ninetieth minute? One last charge that falls flat against the nimble-footed Bosnian, who steals the ball, streaks toward the goal and deposits an insurance goal, putting How the Soldier Repairs the Gramophone up for good.

Honduras 3 – 5 Bosnia and Herzegovina

You can be sure that a people who “sing even when they’re killed” will be celebrating in style.

——

Stephen Sparks is a buyer at Green Apple Books. He lives in San Francisco and blogs at Invisible Stories.

——

Did How the Soldier Deserve to Make it to the Quarterfinals?

Yes
No



Comments are disabled for this article.
....
The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >

Tram 83
Tram 83 by Fiston Mwanza Mujila
Reviewed by Caitlin Thomas

Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .

Read More >

Twenty-One Days of a Neurasthenic
Twenty-One Days of a Neurasthenic by Octave Mirbeau
Reviewed by Lori Feathers

Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .

Read More >

Sphinx
Sphinx by Anne Garréta
Reviewed by Monica Carter

Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .

Read More >

Morse, My Deaf Friend
Morse, My Deaf Friend by Miloš Djurdjević
Reviewed by Vincent Francone

There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .

Read More >

The Crimson Thread of Abandon
The Crimson Thread of Abandon by Terayama Shūji
Reviewed by Robert Anthony Siegel

The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .

Read More >

Life Embitters
Life Embitters by Josep Pla
Reviewed by Christopher Iacono

Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .

Read More >

The Physics of Sorrow
The Physics of Sorrow by Georgi Gospodinov
Reviewed by Izidora Angel

“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .

Read More >

Vano and Niko
Vano and Niko by Erlom Akhvlediani
Reviewed by Vincent Francone

What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >