8 July 14 | Chad W. Post

In the last of the four quarterfinal match ups, BiH, represented by Saša Stanišić’s How the Soldier Repairs the Gramophone, goes up against one of the World Cup of Literature favorites, Germany and W.G. Sebald’s Austerlitz.

Stanišic made it here first by bribing a judge and beating Iran’s represntative, The Colonel by Mahmoud Dowlatabadi 1-0 and then by upsetting Honduras and Horacio Castellanos Moya’s Senselessness by a score of 5-3.

Sebald wrecked Ghana and Kojo Laing’s Search Sweet Country 5-1, then got by Algeria and Leïla Marouane’s The Sexual Life of an Islamist in Paris by a score of 1-0.

This one is going to be close . . .

Hal Hlavinka: Germany

Saša’s payment pending, the ghost of Sebald runs ragged.


Bosnia 0 – Germany 1


Stephen Sparks: Germany

Although the exuberance of How the Soldier fared well against Senselessness, the methodical, evenly paced tenor of Austerlitz won the day for me here in the quarterfinals.


Bosnia 0 – Germany 2


James Crossley: Germany

How the Soldier Repairs the Gramophone has a lot to recommend it where the World Cup of Literature is concerned: quirky chapter titles, some actual soccer content, and a flukish celebrity appearance on the hardcover dust jacket. (The designer used a stock photo—man playing accordion on the beach—without realizing that the subject was author/musician Daniel Handler, a.k.a. Lemony Snicket.) Sorry about the tough draw, Stanišić, but that’s not enough. Literary landmark Austerlitz for the win.


Bosnia 0 – Germany 3


Hannah Chute: Bosnia

How the Soldier Repairs the Gramophone is what Catch-22 would be if Yossarian were an eleven-year-old Bosnian kid. It’s funny, touching, and all-around brilliant.


Bosnia 1 – Germany 3


Nick During: Bosnia

Books, like soccer matches, often hinge on the unexpected. The depth and knowledge and verve of a truly great team can be defeated by the rare moment of creative brilliance at just the right time. Don’t get me wrong, Austerlitz is a truly great book, a Sebald classic that makes the reader search for hidden memories and mysteries in the buildings that surround us, but in the flexible paragraphs and sentences of How the Soldier Repairs the Gramophone lies the imagination that has gives the reader another look at the past, and in a different way that can free them from the weight of official history.


Bosnia 2 – Germany 3


Florian Duijsens: Bosnia

Every Cup needs at least one slightly partial ref and, having taken both books out into a park today (the closest I could think of coming to the championship field), I will gladly to give my vote to Bosnia, and not just because Saša and I follow each other on Instagram. Where Austerlitz smartly and digressively peers into the past and its oblivion, How The Soldier Repairs The Gramophone brings a version of the not all that distant past to vivid life through the child narrator’s unobstructed observations, which manage to surprise as often as they stun with sudden bursts of painful truth.


Bosnia 3 – Germany 3


Chris Schaefer: Germany

Saša Stanišić’s How the Soldier Repairs the Gramophone and W.G. Sebald’s Austerlitz are both haunting novels about savage twentieth-century European conflicts. Stanišić’s novel elicited more laughter from me than anything else I’ve read recently, but its creative tragicomedy could not compete with Sebald’s innovative and weighty erudition. The known quantity Sebald defends his reputation against the upstart Stanišić, but we can expect great things from the young Bosnian in the future.


Bosnia 3 – Germany 4


And there you have it—the semifinals are set. On one side we have Chile (Bolaño’s By Night in Chile) going up against Germany (Sebald’s Austerlitz), and on the other we have Mexico (Luiselli’s Faces in the Crowd) taking on the USA (DFW’s The Pale King).

See you tomorrow for the first of these matches!

——

Did Austerlitz Deserve to Make it to the Semifinals?

Yes
No



Comments are disabled for this article.
....
The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >

Tram 83
Tram 83 by Fiston Mwanza Mujila
Reviewed by Caitlin Thomas

Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .

Read More >

Twenty-One Days of a Neurasthenic
Twenty-One Days of a Neurasthenic by Octave Mirbeau
Reviewed by Lori Feathers

Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .

Read More >

Sphinx
Sphinx by Anne Garréta
Reviewed by Monica Carter

Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .

Read More >

Morse, My Deaf Friend
Morse, My Deaf Friend by Miloš Djurdjević
Reviewed by Vincent Francone

There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .

Read More >

The Crimson Thread of Abandon
The Crimson Thread of Abandon by Terayama Shūji
Reviewed by Robert Anthony Siegel

The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .

Read More >

Life Embitters
Life Embitters by Josep Pla
Reviewed by Christopher Iacono

Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .

Read More >

The Physics of Sorrow
The Physics of Sorrow by Georgi Gospodinov
Reviewed by Izidora Angel

“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .

Read More >

Vano and Niko
Vano and Niko by Erlom Akhvlediani
Reviewed by Vincent Francone

What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >