The stories of Yesterday’s People are torn between war and peace, and between Goran Simić‘s native Bosnia (specifically Sarajevo) and his current residence, Canada. The centerpiece of the collection, ‘Minefield’, tells the story of two sides in the Yugoslavian war who are entrenched on either side of a 50-meter-wide minefield. Left to their own devices, and with little possibility of movement on either side, the enemies pass the time by insulting each other, drinking, and using pages from the books they’ve brought to the trenches as tobacco rolling papers:

The bags of shit we threw at one another piled up on the battlefield. By mid-summer it stank so badly that each side agreed to stop. The arsenal of verbal obscenities, however, continued to escalate. As we could not see each other, each side nicknamed the other from what could be guesses by the sound of their voices. The most vocal on their side we called Ass, Cock, Cretin and Guts. They, in turn, christened us Bastard, Vulture, Lamb and Turd. I was called Sickness, probably because of my endless coughing, caused by too much smoking.

As time went on, no one reacted to the cursing of mothers and sisters any more: that was something that only younger, denser soldiers reveled in. Originality became the order of the day, the assaults by which we earned our stripes. We came to know, over time, who on their side was the easiest to provoke, as well as the relative intelligence of each by what they reacted to. They knew just as well who among us had the weakest nerves.

Perhaps the most moving story in the collection is ‘The Story of Sinan’, which tells the story of two men, Sinan and Jovan, who are trapped in their apartments during the siege of Sarajevo. Afraid to go outside during the day for fear of being killed by a sniper—or being recruited into the army and sent to the front—the two men pass the time by combining their meagre foodstuffs into meals and talking, and Sinan sneaks out at night to gamble. Their uneasy equilibrium is broken when Sinan brings home an orphan.

‘A Story about Soil’ tells of two brothers who fought on opposite sides in the Second World War, influenced by their father who wanted to guarantee that the family would be able to side with whoever won. And ‘Another Bear’ recounts the story of Kanada, a woman who befriends dancing bears that live in a zoo, and the fate that befalls them when the war starts.

These stories have been translated by numerous different translators (the stories themselves have appeared in numerous different journals), and sometimes this results in an unevenness in the language between the individual stories, but these minor distractions don’t diminish the power of Simić‘s voice, nor the emotional impact of his storytelling.

In Yesterday’s People, Goran Simić looks at war, and its aftermath, from the ground level. His characters are everyday people who rarely seek to understand, and have no power to influence, the larger forces that have trapped them, either in the war-torn present or long after the war has ended and they have moved halfway around the globe; they’re too busy trying to make sense of their own shattered lives.


Comments are disabled for this article.

....

Yesterday's People
By Goran Simić
Translated by Various
Reviewed by E.J. Van Lanen
128 pages, Paperback
ISBN: 0973597178
$22.95
The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >

Tram 83
Tram 83 by Fiston Mwanza Mujila
Reviewed by Caitlin Thomas

Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .

Read More >

Twenty-One Days of a Neurasthenic
Twenty-One Days of a Neurasthenic by Octave Mirbeau
Reviewed by Lori Feathers

Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .

Read More >

Sphinx
Sphinx by Anne Garréta
Reviewed by Monica Carter

Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .

Read More >

Morse, My Deaf Friend
Morse, My Deaf Friend by Miloš Djurdjević
Reviewed by Vincent Francone

There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .

Read More >

The Crimson Thread of Abandon
The Crimson Thread of Abandon by Terayama Shūji
Reviewed by Robert Anthony Siegel

The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .

Read More >