In a post about Time Out New York‘s fall books preview, I referenced the forthcoming Roberto Bolano books that New Directions is bringing out over the next few years, but didn’t include many details.
Thanks to the incredibly New Directions Newsletter the full list of upcoming Bolano is now available:
Roberto Bolaño saw himself as a poet rather than a novelist. (When asked why, he replied: “the poetry makes me blush less”). His first collection of poems, The Romantic Dogs, will be published alongside 2666 this November and will captivate Bolaño readers as if they were viewing momentary portraits of his life. To whet readers’ appetites for Bolaño’s poems, “The Worm” can be read here. More work from Roberto Bolaño is set to be translated and published by New Directions well into the next few years, including:
Nazi Literature in the Americas (paperback edition, May 2009)
The Skating Rink (novel, August 2009)
In the Not-too-Distant Future:
Monsieur Pain (novel)
The Insufferable Gaucho (novel)
Assassin Whores (short stories)
Secreto De Mal (posthumous collection of writings-stories, sketches, poems, miscellany)
I’m particularly excited about Parenthetically, and you can’t go wrong with a title like Assassin Whores . . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .