Complete Review pointed this out as well, but the Independent has an article by Elizabeth Nash about the latest Saramago book, The Elephant’s Journey:
Portugal’s Nobel Literature laureate Jose Saramago has announced the completion of his latest work “The Elephant’s Journey”, based on the real-life epic journey of an Indian elephant named Solomon who travelled from Lisbon to Vienna in the 16th century.
Saramago’s achievement marks a rebirth for the veteran writer, 86, whose flagging health, for which he received hospital treatment late last year, sounded alarm bells in the literary world.
The author describes the book as “a story rather than a novel”. It will be published shortly in Spanish, Portuguese and Catalan, and opens with the line: “However incongruous it may seem . . .”
This sounds pretty promising, and will hopefully be translated into English in the next year or so.
In other Portuguese literary news, the latest Antonio Lobo Antunes book What Can I Do When Everything’s On Fire? is now available in bookstores everywhere. I started reading this the other day and am pretty amazed. It’s a bleak book, but the style is incredible and innovative. At first glance, it looks like a prose poem, with lines abruptly breaking off, voices from various characters and times intruding on the protagonist’s consciousness, sudden italics. But as you start to read it, things become clear (or at least comprehensible) very quickly, and this strange style creates a nicely textured novel.
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .