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Our latest review is of Stieg Larsson’s The Girl with the Dragon Tattoo, the first book in the “Millennium Series.” (The other two titles—The Girl Who Played with Fire and Castles in the Sky—will be available from MacLehose Press in the UK in January 2009 and January 2010 respectively. Not sure about the U.S. versions . . .)
This review—titled “Something Rotten in the Welfare State”—was written by Larissa Kyzer, a new reviewer for Three Percent. (She has upcoming reviews of The Tsar’s Dwarf and The Great Weaver from Kashmir.) She works at New York University, lives in Brooklyn, and is working towards her Master’s in Library Science. She is also a contributing book reviewer for The L Magazine and is learning Danish in her free time.
Reviewed by P. T. Smith
Though far from the most convincing reason to read literature in translation, one common side effect is learning of another culture, of its history. Within that, and a stronger motivation to read, is the discovery of stories not possible within. . .
Reviewed by Vincent Francone
Despite cries that literature is dead, dying, and self-replicating in the worst way, once in a while a book comes along to remind readers that there’s still a lot of surprise to be found on the printed page. To be. . .
Reviewed by Allison Charette
“I was small. And my village was small, I came to know that in time. But when I was small it was big for me, so big that when I had to cross it from one end to the other,. . .
Reviewed by Christopher Iacono
A few weeks after moving into a farm house in the Welsh countryside, Emilie, an expatriate from the Netherlands, starts to think about her uncle. This uncle tried to drown himself in a pond in front of the hotel where. . .
Reviewed by Kaija Straumanis
Think back to the last adventure- or action-type book you read. Wasn’t it cool? Didn’t it make you want to do things, like learn to shoot a crossbow, hack complicated information systems, travel to strange worlds, take on knife-wielding thugs,. . .
Reviewed by Owen Rowe
In Aira’s Shantytown, while we’re inside the characters’ heads for a good portion of the story, the voice we read on the page is really that of Aira himself, as he works out the plot of the book he’s writing.. . .
Reviewed by Owen Rowe
Noir is not an easy genre to define—or if it once was, that was a long time ago, in a galaxy far, far away; as a quick guess, maybe Silver Lake, Los Angeles, 1935. When two books as different as. . .
Reviewed by Katherine Rucker
Some time ago I read this phrase: “The page is the only place in the universe God left blank for me.”
Pedro Mairal’s short novel The Missing Year of Juan Salvatierra is more about these blank spaces than the usual full. . .
Reviewed by Vincent Francone
“What if even in the afterlife you have to know foreign languages? Since I have already suffered so much trying to speak Danish, make sure to assign me to the Polish zone . . .”
So reads a typical aphoristic “poem”. . .
Reviewed by Jeremy Garber
If you somehow managed to overlook the 2012 translation of Andrés Neuman’s breathtaking Traveler of the Century (and woe betide all whom continue to do so), you now have two exceptional works of fiction from the young Argentine virtuoso demanding. . .
Three Percent is supported in part by the New York State Council on the Arts.
