The 2015 Best Translated Book Award festivities kick off today with the announcement below of the seventeen titles that made this year’s Poetry Longlist. The finalists will be announced the morning of Tuesday, May 5th, and the winner will be announced at a panel during BEA on Wednesday, May 27th. As always, thanks to Amazon.com’s grant, the winning author and translator will each receive a $5,000 cash prize.
Without further ado, here’s the list of longlisted titles for this year’s award:
Collected Poems by Rainer Brambach, translated from the German by Esther Kinsky (Switzerland, Seagull Books)
Diorama by Rocío Cerón, translated from the Spanish by Anna Rosenwong (Mexico, Phoeneme)
Nothing More to Lose by Najwan Darwish, translated from the Arabic by Kareem James Abu-Zeid (Palestine, NYRB)
Lazy Suzie by Suzanne Doppelt, translated from the French by Cole Swenson (France, Litmus Press)
Openwork by André du Bouchet, translated from the French by Paul Auster and Hoyt Rogers (France, Yale University Press)
The Posthumous Life of RW by Jean Frémon, translated from the French by Cole Swensen (France, Omnidawn)
I Am the Beggar of the World: Landays from Contemporary Afghanistan, edited and translated from the Pashto by Eliza Griswold (Afghanistan, FSG)
Sorrowtoothpaste Mirrorcream by Kim Hyesoon, translated from the Korean by Don Mee Choi (South Korea, Action Books)
Where Are the Trees Going? by Venus Khoury-Ghata, translated from the French by Marilyn Hacker (Lebanon, Curbstone)
Rain of the Future by Valerie Mejer, translated from the Spanish by A. S. Zelman-Doring, Forrest Gander, and C.D. Wright (Mexico, Action Books)
Diana’s Tree by Alejandra Pizarnik, translated from the Spanish by Yvette Siegert (Argentina, Ugly Duckling)
Compleat Catalogue of Comedic Novelties by Lev Rubinstein, translated from the Russian by Philip Metres and Tatiana Tulchinsky (Russia, Ugly Duckling)
In Praise of Poetry by Olga Sedakova, translated from the Russian by Caroline Clark, Ksenia Golubovich, and Stephanie Sandler (Russia, Open Letter)
Soy Realidad by Tomaž Šalamun, translated from the Slovenian by Michael Thomas Taren (Slovenia, Dalkey Archive)
End of the City Map by Farhad Showghi, translated from the German by Rosmarie Waldrop (Germany, Burning Deck)
Guantanamo by Frank Smith, translated from the French by Vanessa Place (France, Les Figues)
Salsa by Hsia Yü, translated from the Chinese by Steve Bradbury (Taiwan, Zephyr Press)
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .