Over the next couple weeks, I’ll be unveiling the Open Letter Spring 2009 list. (All posts about this list can be found here.) This “unveiling” kicked off last week with a bit about Jakov Lind’s Landscape in Concrete, and next up is our April 2009 title, The Mighty Angel by Jerzy Pilch.
A novel about an alcoholic novelist who goes in and out of rehab (eighteen times!) doesn’t immediately sound like the funniest novel out there. Yet, Pilch’s The Mighty Angel is a hysterical, and occasionally sobering book. The title comes from the liquor store the protagonist flees to the second he’s out of rehab, and that sort of endless cycle—hit bottom, enter rehab, recover, feel great, feel so great you need a drink, drink heavily, hit bottom—is at the center of this book.
In Jerzy’s (the protagonist, not the author) case, there’s an added bit to his cycle—the reliance on some pretty young woman to take care of him and make everything better. His belief that love can fix his life is tragic and kind of touching, and is one of the reasons why the ending is so ambiguous . . .
This still doesn’t sound that funny, but trust me, Jerzy’s (the character) imagination and wild stories about the people in rehab—Don Juan the Rib, The Most Wanted Terrorist in the World, the Sugar King, the Hero of Socialist Labor—are wonderful. As is this excerpt about the potential plagiarism of an alcoholic’s “rock bottom confession.” Pilch reminds me a bit of Tadeusz Konwicki, especially The Polish Complex.
Early in his career, Jerzy Pilch was considered one of Poland’s greatest up-and-coming writers, and was even referred to by Czeslaw Milosz as the “hope of young Polish prose.” Now almost sixty, he’s a very established figure, and one of the great contemporary Polish writers. He’s been nominated for the prestigious NIKE Award on six occasions (including this past year), and won in 2001 for The Mighty Angel.
It’s also worth noting that this book was recommended and translated by Bill Johnston, one of the greatest Polish translators working today (actually, he may be one of the greatest Polish translators ever), who also translated Pilch’s His Current Woman, which was published by Northwestern University Press in 2002.
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .