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After weeks of reading, researching, voting, taking recommendations, discussing, and passionately defending, we’ve finally come up with our 25-title fiction longlist for the “Best Translated Book of 2008:”
- The Book of Chameleons by José Eduardo Agualusa, translated from the Portuguese by Daniel Hahn (Simon & Schuster)
- What Can I Do When Everything’s On Fire? by António Lobo Antunes, translated from the Portuguese by Gregory Rabassa (W. W. Norton)
- The Elegance of the Hedgehog by Muriel Barbery, translated from the French by Alison Anderson (Europa Editions)
- Tranquility by Attila Bartis, translated from the Hungarian by Imre Goldstein (Archipelago)
- 2666 by Roberto Bolaño, translated from the Spanish by Natasha Wimmer (Farrar, Straus & Giroux)
- Nazi Literature in the Americas by Roberto Bolaño, translated from the Spanish by Chris Andrews (New Directions)
- Voice Over by Céline Curiol, translated from the French by Sam Richard (Seven Stories)
- The Waitress Was New by Dominique Fabre, translated from the French by Jordan Stump (Archipelago)
- The Taker and Other Stories by Rubem Fonseca, translated from the Portuguese by Clifford Landers (Open Letter)
- The Darkroom of Damocles by Willem Frederik Hermans, translated from the Dutch by Ina Rilke (Overlook)
- Homage to Czerny: Studies in Virtuoso Technique by Gert Jonke, translated from the German by Jean Snook (Dalkey Archive)
- Metropole by Ferenc Karinthy, translated from the Hungarian by George Szirtes (Telegram)
- Detective Story by Imre Kertesz, translated from the Hungarian by Tim Wilkinson (Knopf)
- Yalo by Elias Khoury, translated from the Arabic by Peter Theroux (Archipelago)
- The Great Weaver from Kashmir by Halldór Laxness, translated from the Icelandic by Philip Roughton (Archipelago)
- I’d Like by Amanda Michalopoulou, translated from the Greek by Karen Emmerich (Dalkey Archive)
- The Enormity of the Tragedy by Quim Monzo, translated from the Catalan by Peter Bush (Peter Owen)
- Senselessness by Horacio Castellanos Moya, translated from the Spanish by Katherine Silver (New Directions)
- The Lemoine Affair by Marcel Proust, translated from the French by Charlotte Mandell (Melville House)
- Death with Interruptions by José Saramago, translated from the Portuguese by Margaret Jull Costa (Houghton Mifflin Harcourt)
- Unforgiving Years by Victor Serge, translated from the French by Richard Greeman (New York Review Books)
- Camera by Jean-Philippe Toussaint, translated from the French by Matthew Smith (Dalkey Archive)
- Khirbet Khizeh by S. Yizhar, translated from the Hebrew by Nicholas de Lange and Yaacob Dweck (Ibis Editions)
- Bonsai by Alejandro Zambra, translated from the Spanish by Carolina De Robertis (Melville House)
- The Post-Office Girl by Stefan Zweig, translated from the German by Joel Rotenberg (New York Review Books)
We will be announcing the 10 finalists on January 27th, with the winning titles announced on February 19th at a party at the Melville House offices. Over the next several weeks, we’ll be highlighting each of these titles one-by-one leading up to the announcement of the finalists.
In terms of criteria, we only considered original titles published (or released) in the U.S. in 2008. No retranslations, no reprints, no paperbacks of previously published hardcovers were eligible. And what we’re looking for is the best translated book, not just the best translation. Speaking for all the judges, we believe that a great translated book is a combination of a great original and a great translation, and as such, we’d like to honor the book as a book, as a collaborative effort between author, translator, editor, and publisher.
This year’s panelists included Monica Carter, bookseller at Skylight Books and editor of Salonica ; Steve Dolph, editor of CALQUE ; Scott Esposito, editor of Conversational Reading and The Quarterly Conversation ; Brandon Kennedy, bookseller at Spoonbill & Sugartown ; Michael Orthofer, editor of the Literary Saloon and Complete Review ; Chad W. Post, director of Open Letter Books and this blog ; E.J. Van Lanen, senior editor of Open Letter Books and Three Percent; and Jeff Waxman, bookseller at the Seminary Co-op Bookstores and editor of The Front Table.
(And just so everyone knows this is on the up-and-up, E.J. and I were excluded from voting on Open Letter books, and won’t vote on Taker in choosing the finalists.)
For some additional information, click here for an official press release.
(Sorry there’s no link to the Saramago book. Apparently, in addition to freezing acquisitions, the Houghton Mifflin Harcourt’s innovative new business model includes not listing individual books on their website. Brilliant!)
Reviewed by Tiffany Nichols
Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .
Reviewed by Megan Berkobien
When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .
Reviewed by Peter Biello
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
Reviewed by Brandy Harrison
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
Reviewed by Tiffany Nichols
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .
Reviewed by Juan Carlos Postigo
You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .
The narrative history of. . .
Reviewed by P. T. Smith
Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .
Reviewed by Paul Doyle
Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .
Reviewed by Will Eells
I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .
Reviewed by Christopher Iacono
Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .
- 12 November 14: 2014 ALTA Conference
Three Percent is supported in part by the New York State Council on the Arts.
