After weeks of reading, researching, voting, taking recommendations, discussing, and passionately defending, we’ve finally come up with our 25-title fiction longlist for the “Best Translated Book of 2008:”
We will be announcing the 10 finalists on January 27th, with the winning titles announced on February 19th at a party at the Melville House offices. Over the next several weeks, we’ll be highlighting each of these titles one-by-one leading up to the announcement of the finalists.
In terms of criteria, we only considered original titles published (or released) in the U.S. in 2008. No retranslations, no reprints, no paperbacks of previously published hardcovers were eligible. And what we’re looking for is the best translated book, not just the best translation. Speaking for all the judges, we believe that a great translated book is a combination of a great original and a great translation, and as such, we’d like to honor the book as a book, as a collaborative effort between author, translator, editor, and publisher.
This year’s panelists included Monica Carter, bookseller at Skylight Books and editor of Salonica ; Steve Dolph, editor of CALQUE ; Scott Esposito, editor of Conversational Reading and The Quarterly Conversation ; Brandon Kennedy, bookseller at Spoonbill & Sugartown ; Michael Orthofer, editor of the Literary Saloon and Complete Review ; Chad W. Post, director of Open Letter Books and this blog ; E.J. Van Lanen, senior editor of Open Letter Books and Three Percent; and Jeff Waxman, bookseller at the Seminary Co-op Bookstores and editor of The Front Table.
(And just so everyone knows this is on the up-and-up, E.J. and I were excluded from voting on Open Letter books, and won’t vote on Taker in choosing the finalists.)
For some additional information, click here for an official press release.
(Sorry there’s no link to the Saramago book. Apparently, in addition to freezing acquisitions, the Houghton Mifflin Harcourt’s innovative new business model includes not listing individual books on their website. Brilliant!)
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .