It’s not available on The Bloomsbury Review website1, but Syracuse University Press was named as the Publisher of the Year, due in great part, to its Middle East Literature in Translation Series.
In the write-up, Jeff Biggers cites both Taghi Modarressi’s The Virgin of Solitude: A Novel and Contemporary Iraqi Fiction: An Anthology (which we reviewed) as examples of the great work SUP is doing.
At a time with bookstores are overwhelmed by superficial cut-and-paste portraits of the Middle East that provide little insight into the cultures and experiences in the war-torn region, Syracuse University Press serves as a beacon of light for the publishing industry. These books deserve the widest distribution and attention possible in our country.
Congratulations to Syracuse University Press. It’s great to see a publisher honored for its commitment to international literature.
1 I swear I’m sick of repeating the same complaints, but the Bloomsbury Review website is yet another example of a publisher/magazine website that’s so out-of-date to basically be useless. Look, I’m glad you’re trying to protect your content, but this way of listing back issues is insane. And I’m 99% sure that I’ll never download a pdf, print it out, complete it, and mail/fax it in to get a subscription. Even if it’s not perfect, Google Checkout is free and very easy to install and use.
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .