We just got Ohl’s Mr Dick or The Tenth Book in for review, and after reading this piece in The Guardian I’m pretty sure we’ll be covering it in the near future.
Monsieur Dick, Ohl’s first novel, came out in France four years ago and has won three literary prizes. The English translation has just been published by Dedalus as Mr Dick. “How do you think that title will be received in Britain?” the author asks me, understanding all too well the potential snigger factor. Mr Dick is a character from David Copperfield and Ohl’s book is in many ways a homage to Dickens. It is the story of two young Frenchmen whose lives are consumed by their obsession with Dickens’s life and books and in particular his final, unfinished novel, The Mystery of Edwin Drood. It’s a playful and highly literary detective story, like a Gallic mélange of Flaubert’s Parrot by Julian Barnes and AS Byatt’s Possession. [. . .]
The one aspect of British life that Ohl doesn’t appreciate, however, is the current state of the nation’s bookshops. “Things are bad in France,” he admits. “It’s difficult for independent booksellers here. But in Britain, the situation is catastrophic.”
Before lunch, I visit the bookshop where Ohl works, Librairie Georges, in Talence, near Bordeaux. It is not, as I expected, an old-fashioned, cave-like place, with books stacked in high, random piles all over the floor; indeed, it looks superficially like many modern bookshops. It is large, well lit and has a cafe at the front. Dig a little deeper, though, and the differences are obvious.
For a start, Ohl, who runs the literature section, has a considerable influence over which books (and how many copies of each) his shop buys in and displays. He chooses them not on the basis of how much the publishers pay him for shelf space (as is the case with certain UK chains) but by actually reading them.
Throughout the shop, you can see books labelled with paper of three different colours: green for “recommended”, orange for “highly recommended” and purple for “coup de coeur” – the books that have most thrilled or moved or made the bookshop’s workers laugh. Ohl and his four assistants also give regular “literary breakfasts”, where readers come to drink coffee and eat croissants and listen while the booksellers tell them about the best books they have read in the past few months. The morning I was there, 30 people turned up – male and female, young and old – and listened for two hours, many asking questions and taking notes. Unfortunately, this is not the kind of thing you’re likely to see in Waterstone’s or Borders these days.
Or in many U.S. bookstores . . . A literary brunch at an indie store (or public library) where readers could get staff recommendations and talk about new books would be frickin’ fantastic . . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .