I think I speak for all the panelists when I say that this was a pretty difficult task. I think we all had 13-15 books that we felt deserved to be in the top 10 . . . But in the end, I think we came up with a very solid list. For additional info about any of these titles, click on the links below, or visit the pretty minisite complete with cover images and additional information about the February 19th party to announce the winners.
Many thanks to all the publishers who sent us copies of the books, to everyone who’s written about this award or read any of the overviews we’ve written, and to all of the panelists (who are listed in detail below).
So here goes:
At the February 19th event at Melville House Books—which will be hosted by Francisco Goldman—we’ll announce the two runners-up and the winner for both the poetry and fiction categories. And you’re all invited, so hopefully we’ll see you there . . .
This year’s panelists included Monica Carter, bookseller at Skylight Books and editor of Salonica ; Steve Dolph, editor of CALQUE ; Scott Esposito, editor of Conversational Reading and The Quarterly Conversation ; Brandon Kennedy, bookseller at Spoonbill & Sugartown ; Michael Orthofer, editor of the Literary Saloon and Complete Review ; Chad W. Post, director of Open Letter Books and this blog ; E.J. Van Lanen, senior editor of Open Letter Books and Three Percent; and Jeff Waxman, bookseller at the Seminary Co-op Bookstores and editor of The Front Table.
UPDATE: To view or download the official press release, click here.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .