I think I speak for all the panelists when I say that this was a pretty difficult task. I think we all had 13-15 books that we felt deserved to be in the top 10 . . . But in the end, I think we came up with a very solid list. For additional info about any of these titles, click on the links below, or visit the pretty minisite complete with cover images and additional information about the February 19th party to announce the winners.
Many thanks to all the publishers who sent us copies of the books, to everyone who’s written about this award or read any of the overviews we’ve written, and to all of the panelists (who are listed in detail below).
So here goes:
At the February 19th event at Melville House Books—which will be hosted by Francisco Goldman—we’ll announce the two runners-up and the winner for both the poetry and fiction categories. And you’re all invited, so hopefully we’ll see you there . . .
This year’s panelists included Monica Carter, bookseller at Skylight Books and editor of Salonica ; Steve Dolph, editor of CALQUE ; Scott Esposito, editor of Conversational Reading and The Quarterly Conversation ; Brandon Kennedy, bookseller at Spoonbill & Sugartown ; Michael Orthofer, editor of the Literary Saloon and Complete Review ; Chad W. Post, director of Open Letter Books and this blog ; E.J. Van Lanen, senior editor of Open Letter Books and Three Percent; and Jeff Waxman, bookseller at the Seminary Co-op Bookstores and editor of The Front Table.
UPDATE: To view or download the official press release, click here.
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .