I think I speak for all the panelists when I say that this was a pretty difficult task. I think we all had 13-15 books that we felt deserved to be in the top 10 . . . But in the end, I think we came up with a very solid list. For additional info about any of these titles, click on the links below, or visit the pretty minisite complete with cover images and additional information about the February 19th party to announce the winners.
Many thanks to all the publishers who sent us copies of the books, to everyone who’s written about this award or read any of the overviews we’ve written, and to all of the panelists (who are listed in detail below).
So here goes:
At the February 19th event at Melville House Books—which will be hosted by Francisco Goldman—we’ll announce the two runners-up and the winner for both the poetry and fiction categories. And you’re all invited, so hopefully we’ll see you there . . .
This year’s panelists included Monica Carter, bookseller at Skylight Books and editor of Salonica ; Steve Dolph, editor of CALQUE ; Scott Esposito, editor of Conversational Reading and The Quarterly Conversation ; Brandon Kennedy, bookseller at Spoonbill & Sugartown ; Michael Orthofer, editor of the Literary Saloon and Complete Review ; Chad W. Post, director of Open Letter Books and this blog ; E.J. Van Lanen, senior editor of Open Letter Books and Three Percent; and Jeff Waxman, bookseller at the Seminary Co-op Bookstores and editor of The Front Table.
UPDATE: To view or download the official press release, click here.
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .