We highlight a “pilot” author each month. This is the place to learn about Romanian writers, find updates on Romanian writing abroad, read CV’s, take a look at covers published in countries around the globe, check out the bibliographies, dip into author photos, search our steadily growing archive, and discover essays that put Romanian writing in context. Look for single author fiction issues every month, with free-wheeling updates in between. OTP translates into English, Dutch French, German, Italian, Spanish and Polish, with room for guest languages on board.
And this month’s feature author is Ştefan Agopian, whose work is described as follows:
Agopian’s novels and short fiction build a world in which the real illuminates the imaginary and where the opposite is equally true. It’s no accident that the most frequently heard remark in Agopian’s world—“I don’t know; I imagine“—reverberates on political, historical and metaphysical plane. In Agopian-land, the denizens of a place much like 19th Century Romania inhabit a zone recognizable to Western readers as a desperate Wonderland where Borges and Pynchon would feel at home. In this mind-space anyone is free to conclude that “even if the facts aren’t true, that really has no importance.”
Overall, there’s a healthy amount of information available on this site, including samples from a host of authors, a list of forthcoming translations from the Romanian, synopses of a number of Romanian books, and reviews/essays.
Definitely worth checking out, both for the features listed above and for the blog, which tracks information about Romanian literature.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .