We highlight a “pilot” author each month. This is the place to learn about Romanian writers, find updates on Romanian writing abroad, read CV’s, take a look at covers published in countries around the globe, check out the bibliographies, dip into author photos, search our steadily growing archive, and discover essays that put Romanian writing in context. Look for single author fiction issues every month, with free-wheeling updates in between. OTP translates into English, Dutch French, German, Italian, Spanish and Polish, with room for guest languages on board.
And this month’s feature author is Ştefan Agopian, whose work is described as follows:
Agopian’s novels and short fiction build a world in which the real illuminates the imaginary and where the opposite is equally true. It’s no accident that the most frequently heard remark in Agopian’s world—“I don’t know; I imagine“—reverberates on political, historical and metaphysical plane. In Agopian-land, the denizens of a place much like 19th Century Romania inhabit a zone recognizable to Western readers as a desperate Wonderland where Borges and Pynchon would feel at home. In this mind-space anyone is free to conclude that “even if the facts aren’t true, that really has no importance.”
Overall, there’s a healthy amount of information available on this site, including samples from a host of authors, a list of forthcoming translations from the Romanian, synopses of a number of Romanian books, and reviews/essays.
Definitely worth checking out, both for the features listed above and for the blog, which tracks information about Romanian literature.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .