We highlight a “pilot” author each month. This is the place to learn about Romanian writers, find updates on Romanian writing abroad, read CV’s, take a look at covers published in countries around the globe, check out the bibliographies, dip into author photos, search our steadily growing archive, and discover essays that put Romanian writing in context. Look for single author fiction issues every month, with free-wheeling updates in between. OTP translates into English, Dutch French, German, Italian, Spanish and Polish, with room for guest languages on board.
And this month’s feature author is Ştefan Agopian, whose work is described as follows:
Agopian’s novels and short fiction build a world in which the real illuminates the imaginary and where the opposite is equally true. It’s no accident that the most frequently heard remark in Agopian’s world—“I don’t know; I imagine“—reverberates on political, historical and metaphysical plane. In Agopian-land, the denizens of a place much like 19th Century Romania inhabit a zone recognizable to Western readers as a desperate Wonderland where Borges and Pynchon would feel at home. In this mind-space anyone is free to conclude that “even if the facts aren’t true, that really has no importance.”
Overall, there’s a healthy amount of information available on this site, including samples from a host of authors, a list of forthcoming translations from the Romanian, synopses of a number of Romanian books, and reviews/essays.
Definitely worth checking out, both for the features listed above and for the blog, which tracks information about Romanian literature.
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .