In my opinion, Jan Kjaerstad’s The Conqueror is one of the best books we brought out in our first season. Compelling and engaging, with a brilliant over-arching structure, it’s a novel that’s very literary and very readable, and one that we were really hoping would take off. (Especially since this is part of a trilogy, and we’re bringing out the final part in the fall.)
Well, although there haven’t been a ton of reviews (yet), we’ve been getting a lot of comments from readers and booksellers about this book.
Karl Pohrt from Shaman Drum called me a while back to tell me how impressed he was with this novel. And since then, I’ve heard that one bookseller wrote a staff pick about how The Conqueror forced him to rewrite his “desert island” list. And just today we received a postcard from another New York store about how The Conqueror was a “amazing and wonderful reading experience.”
Back a couple months ago, we gave away a few galleys of this book. And earlier this week I heard from one winner about how effing good this book is . . .
It is the second part of a trilogy—the first part is The Seducer, which came out from Overlook a couple years ago—but the books really do stand alone. If you’d like to know more about the first volume, Michael Orthofer has a really comprehensive review at Complete Review.
I’m mentioning all this now, because we’re in the process of preparing Jan’s U.S. tour. He will be in New York for PEN World Voices, and in Rochester (with Mark Binelli, author of Sacco and Vanzetti Must Die!), and possibly a few other places as well. I’ll post all the details as soon as they’re finalized.
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
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We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
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As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .