In my opinion, Jan Kjaerstad’s The Conqueror is one of the best books we brought out in our first season. Compelling and engaging, with a brilliant over-arching structure, it’s a novel that’s very literary and very readable, and one that we were really hoping would take off. (Especially since this is part of a trilogy, and we’re bringing out the final part in the fall.)
Well, although there haven’t been a ton of reviews (yet), we’ve been getting a lot of comments from readers and booksellers about this book.
Karl Pohrt from Shaman Drum called me a while back to tell me how impressed he was with this novel. And since then, I’ve heard that one bookseller wrote a staff pick about how The Conqueror forced him to rewrite his “desert island” list. And just today we received a postcard from another New York store about how The Conqueror was a “amazing and wonderful reading experience.”
Back a couple months ago, we gave away a few galleys of this book. And earlier this week I heard from one winner about how effing good this book is . . .
It is the second part of a trilogy—the first part is The Seducer, which came out from Overlook a couple years ago—but the books really do stand alone. If you’d like to know more about the first volume, Michael Orthofer has a really comprehensive review at Complete Review.
I’m mentioning all this now, because we’re in the process of preparing Jan’s U.S. tour. He will be in New York for PEN World Voices, and in Rochester (with Mark Binelli, author of Sacco and Vanzetti Must Die!), and possibly a few other places as well. I’ll post all the details as soon as they’re finalized.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .