Next Monday (March 23), we’re hosting a roundtable discussion at the University of Rochester with several highly distinguished guests—and, also, Chad will be there. Here are the basics:
“The Politics of Translation: What Gets Translated and Why”
March 23, 5:00 P.M.
(in Special Collections at Rush Rhees Library)
University of Rochester
It’s sure to be a lively discussion on the forces and fortuities that bring (or stop) literary books into English translation. The panel will feature:
-Amanda Hopkinson, British Centre for Literary Translation at the University of East Anglia, translator of Diamela Eltit and others.
-Suzanne Jill Levine, University of California-Santa Barbara, author of The Subversive Scribe, translator of Manuel Puig and others.
-Kathleen McNerney, West Virginia University, editor of “Garden across the Border: Merce Rodoreda’s Fiction.”
And will be moderated by:
-Chad Post, director of Open Letter Books, the University of Rochester’s publishing imprint specializing in literary translations.
This event is free and open to the public. Sponsored by the Humanities Project, University of Rochester Arts & Sciences, and Open Letter Books.
Click below for the PDF poster/invite.
A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .
The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .
In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .
Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .
In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .
Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .