Here’s the PW review:
Starred Review. Extreme grief permeates Fitzek’s brilliant psychological thriller, a bestseller in his native Germany. When TV psychiatrist Viktor Larenz’s 12-year-old daughter, Josy, who suffers from a number of unexplainable illnesses, vanishes without a trace from her doctor’s office, Larenz’s subsequent search for even the smallest clue to the girl’s disappearance costs him his career and marriage. Four years later, Larenz has retreated to an isolated, storm-prone island, where he’s visited by children’s novelist Anna Glass, a schizophrenic who believes the characters she creates become real. One of those characters bears a striking resemblance to Josy and may have the answer to what happened to her. Unbalanced by his mourning, Larenz emerges as an unreliable but sympathetic character. Is he really losing his mind or is he being gaslighted? Undertones of gothic suspense imbue an unpredictable plot that will remind many of Shutter Island and A Beautiful Mind.
You can click the title above to order the book from Harvard Book Store (our featured bookstore this month), or e-mail Hannah Johnson at johnson at gbo dot org to try and win a free copy . . .
The next GBO Book Pick is Hans Fallada’s Every Man Dies Alone, which we’ll be covering in much greater detail in the near future. In the meantime, you can find out more by visiting (and joining) the GBO Facebook Group.
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .