Although he’s considered to be the first Peruvian science fiction writer, there’s precious little information about Clemente Palma available in English. That said, what is out there is extremely intriguing . . . and seems almost made up. Or like he’s an entry from Bolano’s Nazi Literature in the Americas . . .
One of Palma’s short story collections was translated into English, but it’s his “sci-fi masterpiece” XYZ that really sounds interesting. From the little I could find online — mainly from this academic book — XYZ is about a guy who clones miniature versions of famous movie stars, which then melt after four months. He moves to a strange, remote island to perfect his cloning process (so the movies stars are full-size), and falls in love with the clone of Jeannette MacDonald. Their romance is interrupted when a mysterious yacht loaded with machine guns shows up and tries to invade the workshop. Turns out that MGM caught wind of the island and wanted to cash in on these cloned movie stars. Apparently the book ends with the clones meeting their real-life counterparts (and then melting) and the mad scientist killing himself after denouncing the movie studio for fucking with his experiment.
This could be total shlock, but it also sounds kind of fun in an unhinged sort of way . . . At another site (which also makes the Bolano connection) I found a bit about how Palma has been accused of being a racist, in part for XYZ, but also for his story “La ultima rubia” which “is set in a future in which all races have blended (and speak Esperanto,) and the protagonist sets on an insane quest to find a blonde woman so that he can make gold.”
Seems like the perfect sort of book to pop up on Lost . . . Is anyone reading this familiar with Palma?
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .