Registration is open for next month’s European Book Club, in which Italy is the focus country, and the title being discussed is Stefano Benni’s Margherita Dolce Vita, which was translated by Anthony Shugaar and published by Europa Editions.
Stefano Benni’s enormously popular and distinctive mix of the absurd and the satirical has made him one of Italy’s best-loved novelists. This is his twelfth bestselling book of fiction. Fifteen-year-old Margherita lives with her eccentric family on the outskirts of town, a semi-urban wilderness peopled by gypsies, illegal immigrants, and no end of bizarre characters: a reassuring and fertile playground for an imaginative little girl like Margherita. But one day, a gigantic, black cube shows up next door. Her new neighbors have arrived, and they’re destined to ruin everything.
Over at the Europa Editions website, there’s a recap of an event with Benni and author Jonathan Coe, which includes this bit on Benni’s influences:
Coe spoke of his appreciation of Benni’s comedy in Margherita Dolce Vita. In its criticism of mindless consumerism it reminded him of the comedy of Jacques Tati in the films Playtime and Mon Oncle. Reacting, Benni said he admired Tati, but for him a much greater influence was Dario Fo.
Benni described how writing Margherita Dolce Vita came about; he met young girls who found it difficult to be non conformist at school, which led him to reflect on how life must be these days for an intelligent young girl.
The Europa Editions site also has a video of Benni reading in Italian.
There are two Book Club sessions: you can register for the one on May 11th at 6pm at the Istituto Italiano di Cultura (686 Park Avenue, between 68th and 69th Streets) by e-mailing italy.nyc [at] europeanbookclub [dot] org, and you can register for the May 19th one taking place at 7pm in the Central Library at Grand Army Plaza, Brooklyn by e-mailing eurobook [at] brooklynpubliclibrary [dot] org
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .