4 May 09 | Chad W. Post

Catalan Days — a month-long festival celebrating the arts, food, and literature of Catalonia and the Balearic Islands — really got underway on Saturday with a performance by Jessica Lange of Merce Rodoreda’s The Time of the Doves.

This event was arranged in part to celebrate our release of Death in Spring, Rodoreda’s final novel, which she spent decades on, and which was left unfinished. (Well, sort of. The book ends the only way it can—the “unfinished” nature of the manuscript seems to be more editing-based than plot-based.) Martha Tennent was on hand to introduce her translation of Death in Spring and Rodoreda in general. Martha’s a great translator and in fact, she translated the abridged version of Time of the Doves that Jessica Lange performed. (The novel is actually La Placa del Diamante and the “doves” in the title are actually pigeons—stinky, smelly pigeons—which is how Martha translated it. That said, “The Time of the Pigeons” isn’t really a selling title . . .)

Jessica Lange was pretty amazing. Her reading of the novel lasted almost two hours, encapsulating the whole book, from the narrator’s memories of the festival where she met her future husband (he convinces her to leave her fiance for him), through their early years as a married couple and her fairly submissive role in the relationship, to the Civil War years when Quimet goes off to fight and Natalia almost kills her children to end their suffering, through the marriage of her daughter. (Not to give too much away. Although it’s not like the plot of this book is really what matters. Rodoreda’s beautiful prose and compelling characters are the real draws.)

The book can be pretty intense, and when Jessica Lange broke into tears on stage, she really ramped up the emotional content of the novel and had everyone sucked into Rodoreda’s world. Everyone I talked to afterward was stunned by just how incredible the performance was, but what’s really amazing—and what is the definition of “professional”—is the fact that she received the translation of the script on Wednesday . . .

Rodoreda was a remarkable writers, and as I said in my brief intro about why Open Letter decided to publish this book, she can easily be categorized as one of the great women writers—in the same league as Virginia Woolf, Jean Rhys, etc.—but that’s actually somewhat limiting. The Time of the Doves, A Broken Mirror, and Death in Spring are three of the greatest novels of the twentieth century and demonstrate the evolution of Rodoreda’s aesthetic and writing style. She never repeated herself, and although there are certain similarities between Time of the Doves and Death in Spring, her artistic ambitions are quite different—almost amazingly so. This constant search for a new way to tell a story is why she’s not just a great woman writer, or one of the best contemporary novels, but one of the all-time Great Writers.


Comments are disabled for this article.
....
Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >

The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

Read More >

Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

Read More >

Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

Read More >

Nothing Ever Happens
Nothing Ever Happens by José Ovejero
Reviewed by Juan Carlos Postigo

You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .

The narrative history of. . .

Read More >

The Pendragon Legend
The Pendragon Legend by Antal Szerb
Reviewed by P. T. Smith

Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .

Read More >

Mr. Gwyn
Mr. Gwyn by Alessandro Baricco
Reviewed by Paul Doyle

Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .

Read More >

Bombay Stories
Bombay Stories by Saadat Hasan Manto
Reviewed by Will Eells

I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .

Read More >

The Gray Notebook
The Gray Notebook by Joseph Pla
Reviewed by Christopher Iacono

Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .

Read More >

I am the Beggar of the World: Landays from Contemporary Afghanistan
I am the Beggar of the World: Landays from Contemporary Afghanistan by Various
Reviewed by Grant Barber

On that September 11th I had a conversation with a professor friend who was teaching a creative writing class that evening. He questioned, “What can I possibly teach when all of this has happened?” While the dismay and grief were. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >