The current Quarterly Feature at ArteEast is It Deserves and Commands Your Attention, a fascinating collection of Persian fiction, non-fiction, and poetry.
Here’s editor Richard Jeffrey Newman summary of the contents:
I will not pretend that the poems, essays and stories gathered here represent anything other than the relatively small number of people who sent them to me or from whom I solicited them. Nonetheless, I do think they begin to sketch the outlines of the landscape my question was intended to uncover and begin to explore. Among the writers represented here are two women from Iran, one a young poet of 24, the other with an established career as a writer and editor, each of whom write poetry in English; there is an award-winning Iranian-American poet; a poet born in the year of the revolution who now writes, in Persian and Swedish, in Sweden; another poet published here in translation has been barred from entering Iran for more than two decades. There is a fiction writer from the United States who has made her career out of writing the Iranian immigrant experience. You will find translations of classical Persian literature, a fictionalized memoir by an academic from the United Kingdom and a short story by a man who is now a well-known Iranian director, but who began his career as a fiction writer deeply sympathetic to the Islamic Republic.
Seems to me that there’s a lot of interesting Iranian Persian writing out there, but that it’s sort of “under the radar,” at least from a mainstream perspective. (As if great literature from other countries/languages is getting tons of attention.)
In addition to this great publication, anyone interested in Iranian literature should definitely check out The Translation Project which is run by the amazing Niloufar Talebi. I’ll post more about this in the future, but as a taste, here’s what they list online as their Current Projects:
1. An Anthology of Contemporary Iranian Poetry Around the World, forthcoming summer 2008 (North Atlantic Books) edited and translated by Niloufar Talebi. It offers a comprehensive yet eclectic view of poetry generated outside Iran since the 1979 revolution by both established and emerging Iranian poets. Poetry IN diaspora, not OF diaspora, means that editorial decisions will not focus on the subject of exile, but on the quality and growth of each poet’s work during their time spent outside of Iran.
2. Multimedia Iranian Literary Arts Festival, November 13-17, 2007 in San Francisco. This multimedia festival will feature a new theatrical piece based on Iranian poetry, called ICARUS/RISE, panel presentations, readings, translator’s forum, film screenings and more.
3. Midnight Approaches…: DVD of short films. A multi-dimensional, evocative and entertaining DVD of short films based on contemporary Iranian poetry, it features an Introduction to Persian Poetry, 6 films based on contemporary Iranian Poetry translated, adapted and brought to life with music, performance and dance. Musical compositions by master musicians such as Ostaad Nejad, Hafez Modirzadeh, royal hartigan and David Molina, and more. Get you own copy now and support the organization.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .