Just got word that the winner of this year’s Independent Foreign Fiction Prize is Evelio Rosero for The Armies, which was translated from the Spanish by Anne McLean.
It’s available in the UK from Quercus (but not in the U.S. . . . or at least not yet) (Correction: It’s coming out from New Directions in September), and here’s all the info from their site about the book, author and translator:
In the village of San José in the remote mountains of Colombia, retired teacher Ismael spends his days gathering oranges in the sunshine and spying on his neighbour as she sunbathes naked in her orchard. It is a languid existence, pierced by his wife’s scolding, which induces in him the furtive guilt of an aging voyeur. Out walking one day, Ismael and his wife lose sight of each other. The old man is fearful, for San José has random kidnappings in its past, but reassured by others who have seen her in the village. Soon, though, more people begin to go missing, and gradually bursts of gunfire can be heard in the distance. As the attacks grow steadily more brutal, Ismael finds himself caught in the crossfire; an old man battered by a reality he no longer understands. This is a novel with no easy solutions, in which no-one is spared, no-one is protected.
Evelio Rosero studied Social Communication in the Externado University of Colombia. In 2006 he was awarded the Tusquets National Prize for Literature in Colombia for his novel The Armies.
Anne McLean has translated the novels of, among others, Javier Cercas, Julio Cortázar, Ignacio Padilla and Tomás Eloy Martínez. Her translation of Javier Cercas’ Soldiers of Salamis won the 2004 Independent Foreign Fiction Prize and the Premio Valle Inclan.
Congrats to Evelio Rosero and Anne McLean!
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .