Announced earlier this week, this year’s Rossica Translation Prize was awarded to Amanda Love Darragh for her translation of Iramifications by Maria Galina.
The prize of £5,000 is split between the translator and publisher—which in this instance is the admirable Glas, one of the finest publishers of contemporary Russian literature—and is given to the finest English translation of a Russian work published within the past two years.
This year Academia Rossica also instituted a Young Translators prize worth £300, and awarded to James Rann . . . for, something. (It’s not listed on the website, and besides, the award is for the translation of “a passage of contemporary Russian literature,” not the complete work. Which is cool—the real point is to encourage younger translators.)
Click here for more information about Academia Rossica, a London-based organization creating a better cultural exchange between Russia and the West.
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Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .