Over the past couple days, I’ve received two interesting press releases from the Frankfurt Book Fair worth sharing.
First off, it was announced earlier this week that Finland will be the 2014 Guest of Honor. From the press release:
Finland is known for its literary export of children’s books – for example, Tove Jansson’s “Finn Family Moomintroll” – and of mystery novels, including authors like Pentti Kirstilä, Matti Y. Joensuu, Outi Pakkanen or Taavi Soininvaara. Authors like Kari Hotakainen, Anja Snellmann or Arto Paasilinna have also managed to make the leap into the international publishing world – their most important works are also available in German translation.
For more information about Finnish literature, I highly recommend checking our the online journal Books from Finland. We’ve written about this before, but honestly, this is the best place to find samples, read reviews of Finnish works, etc. Also, although it’s not exclusively Finnish, the blog Nordic Voices in Translation is a fantastic source for information and sample translations. (Especially sample translations.)
For more information about China, this year’s Guest of Honor, the Frankfurt Book Fair put together this very handy overview of the Chinese book market, which includes a brief survey of the development of Chinese contemporary literature and a review of the development of Chinese literature in 21st century.
And on a slightly different note, the application information for the international bookseller’s program is now available. I personally think this sounds really interesting:
The international programme provides foreign booksellers with an insight into the functions and structures of the German book trade, enabling them to efficiently organise their import and sales of German books. The programme promotes dialogue with other booksellers, German publishers and wholesalers and helps participants to create their own network.
In addition to the attendance at the Frankfurt Book Fair and visits to German publishing companies the programme includes an introduction to the German book market, one day of work experience in a bookshop, two visits to wholesalers as well as cultural activities.
All visits will be supported by presentations given during the seminar. Participants will be able to report about their home countries’ book markets. Time is allowed for indepth exchanges of experience between participants, speakers and organisers.
Application deadline is July 15th, and all the necessary info can be found at the link above.
Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .
When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .
You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .
The narrative history of. . .
Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .
Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .
I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .
Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .