24 June 09 | Chad W. Post

The latest addition to our review section is a piece by Lara Ericson (one of our summer interns) on Hans Eichner’s Kahn & Engelmann, which was published earlier this year by Biblioasis in Canada (Windsor to be more specific), and translated from the German by Jean M. Snook.

Biblioasis is one of the most interesting young presses in Canada, and will definitely be getting a lot of great attention this fall when they release Horacio Castellanos Moya’s Dance with Snakes. But they’ve been doing some interesting works in translation for some time now, and this novel, although maybe not perfect, is pretty interesting:

Hans Eichner’s first novel (and last—he passed away earlier this year), originally published in 2000 in Austria, was released in English last month, directly after the eminent German scholar’s death. Kahn & Engelmann opens with a joke: a traveling joke and a Jewish joke.

“In the summer of 1938, a Jewish refugee is going for a walk on Carmel Beach . . . Twenty metres out from shore, a man is fighting against the waves and yelling for help in Hebrew. The refugee stops to listen, takes his jacket off, folds it neatly (one should never act too hastily); and while taking off his tie and shoes as well, before jumping into the sea to help the yelling man, he exclaims indignantly: ‘What a fool! Hebrew he has learned. Swimming he should have learned!’”

Though jokes are used throughout the novel, the placement of this particular joke emphasizes the centrality of travel (often forced travel) to the Jewish identity—a theme expanded throughout the novel, in the story of Peter Engelmann’s own life (he lives, at various times, in Vienna, Hungary, Belgium, England, Australia, Canada, and Israel) and that of the Austro-Hungarian Jews from whom he is descended. The question Peter poses at the beginning of the novel of “How did I get here?” is especially relevant to anyone of Jewish heritage and leads Peter to trace the experiences, and travels, of the Austro-Hungarian Jews through the last hundred years.

In the course of the novel, he tells three basic stories: the first is of his own life and recent experiences living in Haifa, Israel in the late-twentieth century; another starts in 1880 and tells his family story starting with his great-grandmother Sidonie; and the third tells the broader history of Austro-Hungarian Jews.

Click here to read the rest of Lara’s review.


Comments are disabled for this article.
....
The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >

The Hatred of Music
The Hatred of Music by Pascal Quignard
Reviewed by Jeanne Bonner

Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .

Read More >

Fragile Travelers
Fragile Travelers by Jovanka Živanović
Reviewed by Damian Kelleher

In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .

Read More >

Nineteen Ways of Looking at Wang Wei
Nineteen Ways of Looking at Wang Wei by Eliot Weinberger
Reviewed by Russell Guilbault

Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .

Read More >

Radio: Wireless Poem in Thirteen Messages
Radio: Wireless Poem in Thirteen Messages by Kyn Taniya
Reviewed by Vincent Francone

Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .

Read More >

The Subsidiary
The Subsidiary by Matías Celedón
Reviewed by Vincent Francone

The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .

Read More >

Thus Bad Begins
Thus Bad Begins by Javier Marías
Reviewed by Kristel Thornell

Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .

Read More >