So a couple weeks ago I caused a little bit of a stir by announcing via an article in Publishing Perspectives that we were abandoning the paper-over-board format in favor of all paperbacks. We got a lot of responses about this, ranging from people who were disappointed and love paper-over-board, to booksellers explaining that yes, they were shelving these in the hardcover section which has a very different market.
In the end, I think we did the right thing, but one of the reasons we were resisting this change is because we were afraid that reviewers wouldn’t take the paperbacks as seriously as the hardcover, p-o-b books.
But everyone assured us that those days are over . . . that paperback originals are acceptable to everyone, etc., etc.
We send each new catalog to hundreds of reviewers, bloggers, booksellers, and usually include a letter offering free reading copies if there are any titles you might like to review. So today we received this response from The Post and Courier in South Carolina:
“Thanks, Chad, but we do not review softcover books.”
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
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Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .