Three Percent was named after the oft-cited statistic (first established by Bowker) that only 3% of books published in the U.S. are translations. We suspected that 3% number was a little high, but we had no way of confirming our suspicions--there were no real records of the number of translations published from year to year.
So, we decided to keep track ourselves. By collecting as many catalogs as we can and asking publishers directly, we've managed to come up with a fairly accurate record of the books published in translation since January 1st, 2008. For the sake of our sanity, we’ve limited our data gathering to original translations of fiction and poetry published or distributed here in the United States. By "original," we're referring to titles that have never before appeared in English (at least not in the States). So new translations of classic titles aren't included in our database, and neither are reprints of previously published books. Our focus is on identifying how many new books and new voices, are being made available to English-speaking readers.
If you'd like to see the list for yourself, you can download one of the spreadsheets below. In addition to a straight list of translated titles, these spreadsheets break this information down into publisher, language, country of origin, and publisher.
If you're a translator, author, librarian, publishers, or reader, and know of a title that's missing from the list, please e-mail Chad W. Post (chad.post at rochester dot edu) with the necessary information.
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .