Before getting into this list of recommendations, I feel like I have to provide a bit of background and a few qualifications. First off, in no way is this the longlist for the 2010 Best Translated Book Award. We won’t be voting on that until late-November, so please don’t assume that if a book is (or isn’t) on (or off) this list that it’s a finalist (or eliminated).
The list below simply represents all of the titles that the nine BTB panelists (Monica Carter, Scott Esposito, Susan Harris, Annie Janusch, Brandon Kennedy, Bill Marx, Michael Orthofer, Chad W. Post, and Jeff Waxman) have recommended to each other to take a look at. It’s a sort of list of “books in the running,” or more accurately, “translations that some of us have liked.” (And yes, this is just fiction. For now. Maybe we could do something with poetry in the not-too-distant future . . .)
Also, we’re all still reading and reading, with many more books to get to over the next few months. (My “to read stack” has grown from a small pile on my desk, to a bookshelf, to multiple shelves . . . ) I’d like to re-post our complete recommendations later in the year, shortly before the official longlist is announced. (For publishers who want their books on this list, there’s some additional info at the bottom of this post. And no, it doesn’t involve where to send the kickback. That’s strictly need-to-know.)
OK, so reservations and qualifications stated, I thought that I’d post this as our set of summer reading recommendations. I know last year when we did get to the longlist there was next to no chance that anyone could read all 25 of those books before announcing the finalists and the winners. Also, after seeing Amazon’s list of “best books through the first half of 2009,” I thought it would be cool to throw out our own set of great titles. And this list below demonstrates that even though percentage-wise there aren’t many books in translation being published, in real numbers there’s a solid amount of great translations to read—many more than most people could get to in a year.
So, if you’re looking for something to read in the
chilly and rainy steamy days of summer, here’s what the Best Translated Book Award panelists would recommend (and by clicking on the title you’ll be taken directly to online ordering at Skylight Books—for books like these, an additional 50-100 copies sold is a huge deal . . .):
And now the comments section is open for debate, other recommendations, complaints, etc.
For publishers: there’s no official way to submit your titles for this award. Similar to the NBCCs, we allow all panelists to make recommendations throughout the year, and on occasion we contact appropriate publishers to make sure that all the panelists have copies of the recommended books. So, in the next day or so, I’ll update the official BTB Page with the addresses of all panelists, dates on when we’ll be announcing the longlist, etc., and other pertinent information. If you have any other questions, feel free to contact me at chad.post at rochester dot edu.
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .