Here’s a message from Monica Carter of Salonica and Skylight Books—our featured indie store of the month—about some interesting upcoming events.
One of the trademarks of Skylight Books is the ability to recognize and promote the literary greats of our time. Ten years ago, Skylight Books not only participated in the Harry Potter phenomenon with a midnight release party, but was the originator of the Thomas Pynchon Against the Day midnight release party. The tradition continues at Skylight Books with our dedication to celebrating the literary talents of today with our second Thomas Pynchon Midnight Release Party for his new novel, Inherent Vice, on August 4. Along with Pynchon, we will be hosting not one but two parties for Infinite Summer (not a footnote of a party, a PARTY!), the effort of bibliophiles from around the world to read Infinite Jest over the summer of 2009. William T. Vollman has been a perennial bestseller at our store and also a staff favorite which is why we are the only independent bookstore in Los Angeles to host an event for his new book of photographs, Imperial. These events are indicative of Skylight Books’ commitment to fostering cultural vivacity in our own community as well as the global literary community.
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .