Bellatin’s a pretty interesting author (see this post about the recent NY Times profile) and hopefully a bunch more of his books (especially Flores) will come out in the near future.
Larissa—who’s reviewed a number of books for us—also reviews for L Magazine and is working towards her Master’s in Library Science, while also studying Danish. Recently, she wrote a very interesting piece on Scandinavian crime fiction that you can find here.
Here’s the opening of her review:
Although still an unknown in much of the English-reading world, experimental Mexican author Mario Bellatín is undoubtedly poised for a Le Clézio-esque breakthrough. A Guggenheim recipient, Bellatín is the author of nearly twenty novellas and short works, and has garnered so much success in the international market that he’s recently been courted by the preeminent French publishing house Gallimard to release several forthcoming novels in French translation prior to their publication in his native Spanish. Beauty Salon is only Bellatín’s second publication in English (Chinese Checkers, a compendium of three of his other novellas, was published in 2008).
The novella finds a lonely, unnamed hair stylist caring for the dying victims of an unidentified plague (strongly recalling the AIDS virus) in his converted beauty salon. Where once the salon was plush and dazzling—with elaborate aquariums and exotic fish lining the walls—now it is “simply the Terminal,” refitted with the bare essentials to care for victims of the disease who “. . . are strangers who have nowhere else to die. If it weren’t for the Terminal their only option would be to perish in the street.”
Click here for the full review.
The historian John Lukacs observed, “Fictitious characters may represent characteristic tendencies and potentialities that existed in the past” and thus “may serve the historian under certain circumstances—when, for example, these are prototypical representations of certain contemporary realities.” Eugen Ruge’s In. . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .