22 September 09 | Chad W. Post

Looks like this is going to be a week of Dalkey Archive reviews, with my piece on Anonymous Celebrity by Ignacio de Loyola Brandao coming out on Thursday or Friday . . . And not to give away too much, but my review is much more positive than what Timothy Nassau (former Open Letter intern who’s actually back in school and still reviewing for us) has to say about Gerard Gavarry’s Hoppla! 1 2 3, which was published earlier this year in Jane Kuntz’s translation.

As frequently occurs, a few days ago I was browsing through a bookstore when something caught my eye. The book was Negative Horizon by Paul Virilio, which “sets out [his] theory of dromoscopy: a means of apprehending speed and its pivotal—and potentially destructive—role in contemporary global society.” Chapter titles include “The Aesthetics of Disappearance,” “The Metapsychosis of the Passenger,” and “From the Site of the Election to the Site of the Ejection.” I did not purchase the book (the one time I’ve read anything Continuum published it took me over an hour to get through the first ten pages, though kudos to them for putting out a translation of Berlin Alexanderplatz), but something about it struck me as simultaneously so French and so absurdly pretentious that Paul Virilio has stayed with me.

Gérard Gavarry’s Hoppla! 1 2 3, a book I actually have read, has similar qualities. The title comes from the Bertolt Brecht line, “And as the first head rolls I’ll say: hoppla!” These morbid connotations, coupled with the three numbers, present a taste of what is to come. The basic story is that a youth from the housing projects of a Parisian suburb rapes and kills his mother’s boss, the manager of a supermarket. The novel aspect of the book is that the story is told three different times in three sections of eleven chapters each.

At first this may sound like a more drawn out and more blood-thirsty version of Raymond Queneau’s Exercises in Style. The back of the book certainly backs this up as it describes how each section is “in a different tone or mode and with different sets of images and vocabularies—borrowed from tropical botany, the shipping industry, and ancient Greece.” But this is actually misleading. The whole book sticks fairly close to the same style throughout, and each retelling is more a chance to flesh out the basic plot than to cast it in an entirely new light.

Click here for the full review.

Comments are disabled for this article.
Death by Water
Death by Water by Kenzaburo Oe
Reviewed by Will Eells

Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .

Read More >

Twenty-One Cardinals
Twenty-One Cardinals by Jocelyne Saucier
Reviewed by Natalya Tausanovitch

Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .

Read More >

One of Us Is Sleeping
One of Us Is Sleeping by Josefine Klougart
Reviewed by Jeremy Garber

We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .

Read More >

Bye Bye Blondie
Bye Bye Blondie by Virginie Despentes
Reviewed by Emma Ramadan

Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .

Read More >

La Superba
La Superba by Ilja Leonard Pfeijffer
Reviewed by Anna Alden

Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .

Read More >

Intervenir/Intervene by Dolores Dorantes; Rodrigo Flores Sánchez
Reviewed by Vincent Francone

It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .

Read More >

All Days Are Night
All Days Are Night by Peter Stamm
Reviewed by Lori Feathers

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .

Read More >

The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >

Human Acts
Human Acts by Han Kang
Reviewed by J.C. Sutcliffe

Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .

Read More >

Nowhere to Be Found
Nowhere to Be Found by Bae Suah
Reviewed by Pierce Alquist

It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .

Read More >