Although the official pub date isn’t until November 9th, a copy of the sixteenth volume of Two Lines arrived in the mail yesterday. It’s edited by Margaret Jull Costa and Marilyn Hacker, and contains a number of excerpts from interesting translations coming out this year, including the new translation of Gunter Grass’s The Tin Drum, Yoko Tawada’s The Naked Eye, Inger Christensen’s Azorno, Jose Manuel Prieto’s Rex, and Tarek Eltayeb’s Cities Without Palms.
In addition, there’s a special focus on Paletinian Poetry, which was edited by Marilyn Hacker, and for which she wrote an interesting introduction that starts with a discussion of Mahmoud Darwish’s “Rita’s Winter” as setting out
one of the paradigms of contemporary Palestinian poetry: a history larger than that of any individual expressed through narratives of the quotidian and the deceptively personal. This stands alongside, and arises in part from the inescapable fact of exile (and the presence of a not at all imaginary occupying Other) as one of the principal components of contemporary Palestinian writing, a paradoxical but undeniable source of its inspiration. But this energy is not insular; it’s also an integral part of the ongoing renaissance of poetry in Arabic (the creation of an Arabic modernism) that began int he circle around the journal Ch’ir (Poetry) founded in Lebanon int he 1960s by a circle of poets including the Syrian Adonis, a movement that, as the Moroccan poet-critic Abellatif La’abi claims, enlarged poets’ angle of vision while revising and recasting their poetical “arsenal.” The tropes and cadences of classical Arabic poetry were met, confronted by European ideas of ruptured and new forms, while “new” ways of thinking about aesthetics were reconnected with classical, spiritual, and philosophical sources.
Definitely worth checking out, and you can preorder your copy by clicking here.
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .