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Not many people are as dialed into the Nobel Prize for Literature speculation as Michael Orthofer of the Literary Saloon. And his post this morning about the possibility of Herta Müller being announced as the winner tomorrow is pretty intriguing.
And before anyone says “Herta who?,” Michael already put together a Herta Müller page with info about all of her books. A few of her titles have made their way into English, including Traveling on One Leg and most recently The Appointment.
Now that’s all fine and good, but it’s the basis for Michael’s speculation that’s really interesting:
1. Ladbrokes’ odds have broken her way in a strong way: there’s been almost no movement on the list — and Amos Oz remains the 4/1 favorite — but the odds on Müller have gone from 50/1 to 7/1. [Updated: And now she’s up to 3/1 (as is Oz, who has moved slightly) — though this final movement of the odds may be because of the sort of speculation I am spewing out …..]
If you remember what happened last year—Le Clezio’s odds shot up from 14/1 to 2/1 due to a possible leak—you know that this shift in odds can be pretty telling . . . Also:
2. The referrer logs for the Literary Saloon yesterday — when I’d mentioned that the Müller-odds were worth paying attention to — showed several visits from mail.Svenskaakademien.se
Visits from the Swedish Academy (who select the Nobel laureate) aren’t that unusual, but more than one in close succession is — and this indicates someone there was mailing around the (well, a) link. It’s impossible to know whether they were just keeping track of Nobel coverage, laughing at how off-base my comments were — or expressing irritation. Nevertheless, it seems noteworthy that at least some of what I’ve written here has proven to be of interest to the powers that be — and the Müller-speculation seems the obvious thing that might have caught their eye.
Sure, there’s an air of conspiracy theory to all this speculation, but it is fun, and somewhat convincing . . . We’ll all find out tomorrow . . .
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Three Percent is supported in part by the New York State Council on the Arts.
