The longlist for the 2007 German Book Prize was announced yesterday. (See the full list after the jump.)
Here’s what spokesperson for the judges, Felicitas von Lovenberg had to say about the selection of these 20 books from the 117 submitted titles:
“Without allowing ourselves to be seduced by celebrity or distracted by the pressure of originality, we have chosen twenty titles that reflect the unusual diversity and vitality in German-language literature as it presents itself this autumn in particular.”
Good to know that they stood up to the pressure of originality. It’s always a bad sign with originality counts for something.
But seriously, although I’m not familiar with any of the specific titles on this list, a number of the authors were recommended to me at one time or another by the wonderful people at the German Book Office, including Julia Franck, Thomas Glavinic, Michael Lentz, and Robert Menasse.
According to the official site, Signandsight.com has info and sample translations for the “shortlisted authors.” I couldn’t find this online, but hopefully it’s on its way.
German Book Prize Longlist
Thommie Bayer: Eine kurze Geschichte vom Glück (Piper, August 2007)
Larissa Boehning: Lichte Stoffe (Eichborn Berlin, August 2007)
Julia Franck: Die Mittagsfrau (S. Fischer, September 2007)
Thomas Glavinic: Das bin doch ich (Hanser, August 2007)
Lena Gorelik: Hochzeit in Jerusalem (SchirmerGraf, March 2007)
Sabine Gruber: Über Nacht (C.H. Beck, January 2007)
Peter Henisch: Eine sehr kleine Frau (Deuticke, August 2007)
Michael Köhlmeier: Abendland (Hanser, August 2007)
Katja Lange-Müller: Böse Schafe (Kiepenheuer & Witsch, August 2007)
Michael Lentz: Pazifik Exil (S. Fischer, August 2007)
Harald Martenstein: Heimweg (C. Bertelsmann, February 2007)
Pierangelo Maset: Laura oder die Tücken der Kunst(kookbooks, September 2007)
Robert Menasse: Don Juan de la Mancha (Suhrkamp, August 2007)
Martin Mosebach: Der Mond und das Mädchen (Hanser, August 2007)
Mathias Nolte: Roula Rouge (Deuticke, March 2007)
Gregor Sander: abwesend (Wallstein, March 2007)
Arnold Stadler: Komm, gehen wir (S. Fischer, May2007)
Peter Truschner: Die Träumer (Zsolnay, March 2007)
John von Düffel: Beste Jahre (DuMont, August 2007)
Thomas von Steinaecker: Wallner beginnt zu fliegen (FVA, February 2007)
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .