9 October 09 | Chad W. Post

We’re really not trying to kick Amos Oz while he’s down, but in addition to not winning the Nobel Prize for Literature yesterday (there had been rampant speculation, and he was the odds-on favorite for a while), it sounds like his new novel is as messy as the new Houghton Mifflin Harcourt website1 . . . At least according to our reviewer Dan Vitale whose piece on Rhyming Life & Death is the latest addition to our Review section.

Here’s the opening:

The short novel is a form in which writers typically exercise great control over their material, accepting the abbreviated length as a kind of challenge, working within that limitation to craft a tight, jewel-like story in which all the elements of the piece—plot, tone, imagery—work together to create a unified artistic effect similar to that of a short story. (Think Heart of Darkness, Death in Venice, The Metamorphosis, or The Old Man and the Sea.) This is decidedly not the case with Rhyming Life and Death, Amos Oz’s latest work of fiction to be published in the U.S. in translation.

There is no doubt that Oz, one of Israel’s most prominent writers, is a master. For four decades he has been producing powerful and moving novels such as Elsewhere, Perhaps (1966; translated 1973) and Fima (1993); he is also the author of A Tale of Love and Darkness (2002; translated 2004), an extraordinarily beautiful memoir of his childhood in Jerusalem. But Rhyming Life & Death is quite simply a mess. For such a brief work it is annoyingly loose and undisciplined, and its overall artistic effect borders on incoherence.

Click here for the rest.

1 There are so many cool people I know at HMH that I feel bad always ragging on their web shenanigans. But damn, someone there must have a clue as to how the Internets function. I’ll walk you step-by-step through my most recent experience. For this review, I wanted to include a link to HMH’s page about Rhyming Life & Death. This is something we always do in order to give publishers some attention and provide readers with another source of information. And why not? Every publisher has a website nowadays, right? So I type “Houghton Mifflin Harcourt” into Google and am lead here. WTF am I supposed to do now? My obvious choices are: “At Home,” “At School,” “Around the World,” “Recent News” . . . behind which one of these will I find info about Amos Oz? Since I’m sort of kind of “at home,” I click there and find this, which, at first glance, is about a) Best Sellers (not the Oz book), b) Reference & Professional (shouldn’t this be in “At School” or maybe “At Work”?), and c) Learn @ Home (which really merges that whole “Home” vs. “School” divide on the main menu). Info on all the HMH trade titles for sale in your local bookstore? . . . Well, if you read carefully enough, you’ll find the link beneath “Best Sellers,” which is fucking illogical and pretty deceitful. What’s particularly aggravating about this is the fact that this is at least the fourth different HMH site I’ve tried to use in the past two years and every version has been pure suck. Look, I know you’re bankrupt and all, but please, pay a teenager $50 to show you how people actually use websites. Or just get off the Web.


Comments are disabled for this article.
....
The Little Horse
The Little Horse by Thorvald Steen
Reviewed by P. T. Smith

The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .

Read More >

Guys Like Me
Guys Like Me by Dominique Fabre
Reviewed by Peter Biello

We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .

Read More >

Birth of a Bridge
Birth of a Bridge by Maylis de Kerangal
Reviewed by Christopher Iacono

One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .

Read More >

Faces in the Crowd
Faces in the Crowd by Valeria Luiselli
Reviewed by Valerie Miles

At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .

Read More >

Fantomas Versus the Multinational Vampires: An Attainable Utopia
Fantomas Versus the Multinational Vampires: An Attainable Utopia by Julio Cortázar
Reviewed by Cameron Rowe

Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .

Read More >

Self-Portrait in Green
Self-Portrait in Green by Marie NDiaye
Reviewed by Lori Feathers

Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .

Read More >

The Madmen of Benghazi
The Madmen of Benghazi by Gerard de Villiers
Reviewed by P. T. Smith

Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .

Read More >

The Four Corners of Palermo
The Four Corners of Palermo by Giuseppe Di Piazza
Reviewed by Patience Haggin

The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .

Read More >

Writers
Writers by Antoine Volodine
Reviewed by P. T. Smith

Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .

Read More >

My Brilliant Friend
My Brilliant Friend by Elena Ferrante
Reviewed by Acacia O'Connor

It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .

Read More >