This post originally appeared on the Frankfurt Book Fair blog. I highly recommend visiting the official blog for interesting posts from Richard Nash, Alex Hippisley-Cox, and Arun Wolf
One of the coolest books I’ve come across so far is 12 Argentine Writers volume, which is available at the Buenos Aires Ministry of Culture stand (5.1 D976) where you can also learn about Buenos Aires as UN 2011 World Book Capital. This collection contains excerpts from twelve novels published in 2008, from a range of writers. From Josefina Delgado’s prologue:
“Although the writers selected are at different points in their careers—Luis Mey, Hector Balcarce, Raquel Robles, Marta Kapustin and Pablo Melicchio were all published for the first time in spite of their differences in age; Alicia Steimberg and Carlos Gorostiza have already published more than ten books; Oliverio Coelho, Paula Perez Alonso, Pedro Mairal and Jorge Accame have an established body of work; and Accame and Gorostiza have also written and published well-known theatrical works—they are united by a similar sensibility and approach towards writing: fiction is not just a story, although these writers do tell stories; it is also the language in which a story is told.”
In addition to this very substantial, very cool anthology, you should also check out the “Literary Buenos Aires” pamphlet which, in addition to information about all the important literary cafes, hotels, bookshops, etc., has “Literary Circuits” for Jorge Luis Borges, Julio Cortazar, and Roberto Arlt, providing maps of where these literary giants hung out, drank coffee, and wrote awesome books.
With Argentina being the Guest of Honor next year, this is probably the first of a few posts about one of my favorite literary cultures (and countries).
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .