The video is now available of last week’s (and, dare we say, our best to date) Reading the World Conversation Series event with the internationally bestselling author Jorge Volpi and preeminent translator Alfred Mac Adam. Parts 1-3 are Jorge’s reading, and parts 4-8 are the questions/answers between Jorge, Alfred, and the audience.
Here’s the skinny on the event:
Oct. 20, 2009 – Jorge Volpi—author of international bestseller In Search of Klingsor, and a founder of the “Crack” group—reads from his latest novel, Season of Ash, and discusses the new generation of Mexican writers.
Season of Ash puts a human face on the earth-shaking events of the late twentieth century: the Chernobyl disaster, the fall of the Berlin Wall, the end of Soviet communism and the rise of the Russian oligarchs, the cascading collapse of developing economies, and the near-miraculous scientific advances of the Human Genome Project. Praised throughout the world for his inventive story telling and stylistic ambition, Jorge Volpi has become one of the leading innovators of twenty-first-century world literature.
After reading from Season of Ash, Jorge Volpi is joined in conversation by Alfred Mac Adam—professor of Latin American literature at Barnard College-Columbia University since 1983 and translator of novels by Carlos Fuentes, Mario Vargas Llosa, José Donoso, Juan Carlos Onetti, and Julio Cortázar, as well as Season of Ash.
(This event is hosted by Open Letter and University of Rochester Arts & Sciences. It is supported in part by the National Endowment for the Arts and the New York State Council on the Arts.)
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .