So after the first ALTA panel—on the “subversive” translator and the idea of making the translator “visible” without interfering too much with the original text—Megan McDowell (pictured above) and I came up with a project idea. (Or what some may call a gimmick.) We thought that we could help literally make translators visible by posting pictures of ALTA attendees and asking a few questions. We thought it would be a cool way of letting non-translation world people get to know who these “invisible” translators are, while pointing out how cool the ALTA conference attendees are, and getting some good book recommendations along the way.
I think we did about 25 profiles, which I’ll be posting over the next couple weeks. I’ll include everyone’s answers, maybe another anecdote or two, and possibly some additional information about these people. (Translators tend to be pretty humble people and not very good at self-promotion . . .)
Anyway, re: Megan—I first met her ages ago, when she was a fellow at Dalkey Archive’s short-lived Chicago office. She was one of the best fellows we ever had. Very energetic, and very bright. Post-Dalkey, she spent some time in Chile, attended the University of Texas-Dallas where she studied translation, and got heavily involved with ALTA. (She was at the conference as the official photographer, making her the perfect partner for this project, and a good reason to feature her first.)
On with the questions with my comments in italics below:
Favorite Word, in any language: murcielago, which is Spanish for “bat.”
Weirdly, another translator picked this word as well . . . I’ll point this out again when I feature her, but not only did Robin Myers try and choose “murcielago,” but her other favorite word happens to be Megan’s second choice. It’s like translator telepathy.
Best Translation You’ve Done to Date: The Private Lives of Trees by Alejandro Zambra.
Which will be published by Open Letter this May . . . And in the meantime I HIGHLY recommend checking out Zambra’s Bonsai, which Melville House did last year, and which was a 2009 Best Translated Book finalist.
Book that Needs to be Published in English Translation: Ayer by Juan Emar.
We actually have this on submission . . . I have a feeling I’ll be able to repeat that a number of times over the course of this project, usually followed by “for the past eighteen months.” Which is not so cool. But seriously, Emar sounds very interesting and was featured in RCF a couple years back.
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .