Russell Valentino is a superstar in the world of literary translation. Just look at his bio from the University of Iowa:
Russell Scott Valentino is professor of Slavic and comparative literature and chair of the Department of Cinema and Comparative Literature. He has published a monograph on nineteenth-century Russian literature and seven book-length literary translations from Italian, Croatian, and Russian. His essays, translated fiction, and poetry have appeared in journals such as The Iowa Review, Two Lines, POROI, Circumference, Asia, Modern Fiction Studies, Slavic Review, and 91st Meridian. He is the recipient of a 2002 NEA Literature Fellowship and a 2004 Howard Foundation fellowship, both for literary translation, as well as two Fulbright research awards to Croatia.
And if that’s not enough, he’s also the founder and publisher of Autumn Hill Books (a few months back we reviewed Becka McKay’s translation of Suzane Adam’s Laundry, which was published by Autumn Hill), and was recently named the editor of the Iowa Review, replacing David Hamilton, who has been editing the journal for the past 2 years. (And yes, Russell has plans for bringing more translation to the pages of the Iowa Review. And launching an online review section that may even cover some books not yet translated into English.)
Unfortunately, we interviewed Russell before coming up with the “favorite word in any language question” (Russell: maybe you could add something in the comments?), but here are the rest of his responses with my comments in italics:
Most Difficult Translation You’ve Ever Done: Persuasion and Rhetoric by Carlo Michelstaedter
As you might have noticed, Russell rephrased our question from “best thing you’ve ever translated” to “most difficult,” pointing out that it took him ten years to complete this book, which was published by Yale University Press in 2004 and is available (in part) via Google Books. I don’t know much about the book itself, but this brief description from Amazon.com sounds intriguing . . . and a bit depressing:
Ostensibly a commentary on Plato’s and Aristotle’s relation to the pre-Socratic philosophers, Michelstaedter’s deeply personal book is an extraordinary rhetorical feat that reflects the author’s struggle to make sense of modern life. This edition includes an introduction discussing his life and work, an extensive bibliography, notes to introduce each chapter, and critical notes illuminating the text.
hours of completing Persuasion and Rhetoric, his doctoral thesis, 23-year-old Michelstaedter shot himself to death. The text he left behind has proved to be one of the most trenchant and influential studies in modern rhetoric, a work that develops Nietzschean themes and anticipates the conclusions of, among others, Martin Heidegger.
Books You Think Need to Be Published in English: La Langue maternelle and Apres J.C. by Vassilis Alexakis
One of the joys of asking a lot of translators what books should be published in English is finding out about authors you’ve never heard of . . . although maybe you should have. Alexakis isn’t exactly unknown, having won the Prix de l´Académie Française in 2007 for Apres J.C. Of course, there’s not much info available on him in English, but according to Wikipedia (World’s Favorite Go To Source for Quick Info), he “is a Greek-French writer of numerous novels in Greek, his mother tongue, and French. His works, drawn from two cultures, are full of tender irony; his style gives the reader an intimate and personal perspective on his stories.” Although neither of these two books are available in English, Autumn Hill published Alyson Waters’s translation of “Foreign Words“http://www.autumnhillbooks.com/foreign_words/foreign_words.htm a few years back. Here’s the AHB description:
Foreign Words is a book that takes us on a journey through time and space with the story teller as he travels from Paris where he lives as the book opens, to Greece where he grew up, and where his father has just died, to the Central African Republic as he undertakes the study of Sango.
Why learn Sango is a question the book’s narrator himself has trouble answering. His ruminations on the surprising decision to study it are both humorous and penetrating.
A man’s country may be cramped or vast according to the size of
his heart. I’ve never found my country too small, though that isn’t
to say my heart is great. And if I could choose it’s here. . .
The recent reissuing of several of Stig Dagerman’s novels by University of Minnesota Press has rekindled interest in his works, which have until now been little-known outside Sweden. Just twenty-four when he wrote A Burnt Child (here newly translated by. . .
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .