Simply put, Jason Grunebaum is one of the funniest people I’ve ever met. Super energetic, witty as all get out, he should have his own reality show. (Or something.) At least a podcast. Or a regular guest spot on someone else’s podcast. (Jason: you going to be at MLA? If so, let’s talk.) He’s also one of the only Hindi translators I know . . . and I’m hoping that one day Open Letter will publish a translation of his.
There’s a slew of soon-to-be-profiled translators (like Becka, J.P., and Edward) that I first met at ALTA Richardson, which, though it wasn’t in the most hip, or interesting of surroundings (I mean, damn, the most entertaining thing we found was a 24-hour Casket Store—how’s that for nightlife?), was one of the first ALTA conferences I attended where I hooked up with a lot of young, fun translators.
Anyway, I feel like Jason and I have a special bond thanks to our time together at the Salzburg Seminar last February. After five days in a palace drinking beer on the honor system in the bierstube, we developed a certain rapport . . .
Jason is another person I’d point to as one of the key figures in the future of ALTA as an organization. He’s literally boiling over with ideas. His massive social network for translators, the Hindi translation competition, etc., etc. I can only imagine how much fun his classes at the U of Chicago must be, and I’m excited to read the novel that he’s been working on . . . Anyway, onto the questions and comments:
Favorite Word from Any Language:
“garbar”—a mess, fiasco, Benny Hill style descent into chaos
This is the perfect word for Jason to choose. I have no other comments.
Best Translation You’ve Done to Date: The Girl with the Golden Parasol by Uday Prakash
This came out last year (?) from Penguin India, but has yet to be released in the U.S. (Which maybe isn’t terribly shocking, but is a bit disappointing. There are so few Hindi books published in America—there’s only one listed in the translation database—and to have Jason helping promote . . . ) You can read a sample of this by clicking here. And here are links to a few reviews: Dawn.com, Tehelka, and The Telegraph (India).
Book that Needs to Be Published in English Translation: Basharat Manzil by Manzur Ahtesham
Another surprise: not much information online about this book. But here’s a (fairly generic) description I found:
Set in pre-independence Delhi, centred around a quiet building, Basharat Manzil, home to Billo and Bibbo. A story of love, patience and understanding. A story of ghazals, tawaifs, Batashonwali Gali, unfulfilled dreams and unrequited love.
The lives of the residents of Basharat Manzil, in particular that of Amina Begham, reflect the lives of millions of Indians. In this is the triumph of the novellist, that the reader easily identifies with the protagonists of his novel and as we read the novel, the story of Basharat Manzil quickly becomes the story of our own lives.
Hopefully as time goes on, people will start to read more Indian literature not originally written in English, and Jason will be there to translate and promote it.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
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Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .