17 November 11 | Chad W. Post

OK, I’ve really fallen behind with this series of posts, but I’m getting back on track now. . . . Although in my defense, I’m still waiting for a few more photographs . . . But anyway, here we go with Erica Mena’s write up:

Meeting Erica was one of the real highlights of ALTA. I’ve already gone on and on about how cool passionate translators are, and how many are — to steal a phrase from Susan Harris of WWB — “alluringly short,” and Erica fits both of these categories. At the first panel I went to, she stood up for the rights of young translators to essentially “play jazz” when bringing literature from one language into another. (This might be too much to explain here, but to provide a bit of a context, this panel was in honor of Suzanne Jill Levine, and during the discussion she talked about how translation was essentially performance. That in a way, the original text was a score, and it was up to the translator to bring it to life in a new context/space. Then someone said you had to practice for decades to become skilled enough to be able to do this. All the younger people gasped—who wants to slave away at translation for decades to get to the part where it gets fun! Obviously, you need to know the rules to know how to break them, but starting with that in mind sounds a bit more appealing and productive.)

We spent a good deal of time together at the conference—including an epic dinner that featured Erica screeding about Junot Diaz’s The Brief Wondrous Life of Oscar Wao, which she totally abhors—and have become close friends since, so I could go on and on here.

But sticking with the professional side of things, Erica was also on the “future of ALTA” panel and will definitely be playing a large role in this organization’s evolution. She’s the head of the publications committee and is also helping redesign the website into something much more useful than what currently exists. (No offense, but the ALTA site is barely more functional than the Houghton Mifflin Harcourt website, which is most definitely the nadir of all publisher websites . . . at least until Ron Hogan gets over there and starts fixing HMH’s e-strategies.)

Most importantly, Erica and I will be launching a translation-centric podcast early next year. (Not written in stone, but we’re thinking of calling it the Reading the World podcast . . .) We’re planning on recording a half-dozen episodes at MLA with people such as Larry Venuti, Esther Allen, and Suzanne Jill Levine. As someone who’s wanted to podcast for years, I’m really psyched to finally have a plan to actually do these . . . in that way, Erica’s a bit of a catalyst for good things . . . I’ll definitely post about this again once we have more concrete details about when these will be available, etc.

Anyway, onto the questions!

Your Favorite Word in Any Language: Enmudecer, which means “to fall silent.”

Personally, I love verbs for non-actions. Reminds me of Vila-Matas’s Bartleby & Co. and the “Literature of the No.”

Best Translation You’ve Done to Date: “Tales from the Autumn in Gerona” by Roberto Bolaño

Ok, so most everyone agrees that the poetry of Bolano’s collected in The Romantic Dogs isn’t really his best work. Or even necessarily great poetry. But according to Erica—and I’ve read a bit of her translation and have to agree—Bolano’s prose poetry is much, much better. “Tales from the Autumn in Gerona” is from Tres, which consists of three prose poems and which may be forthcoming from New Directions. (Although that’s a bit unclear . . . Maybe someone could e-mail/post a comment to clarify?) I know Erica finished a translation of this collection last year, and again, based on the part that I’ve read, I think Bolano fans everyone would appreciate reading this collection . . . In the meantime, Words Without Borders will be publishing “Tales from Autumn in Gerona” in their March issue . . .

Book that Needs to Be Published in English: String by Farhad Shakley, a Kurdish Poet

Another cool thing about Erica is the work she does helping collaborate on translations from Arabic into English. She’s not fluent in Arabic, but works wiht a fellow translator to transform a more literal translation into poetry. This sort of “collaboration” is always a bit controversial, with translators, publishers, writers, and readers coming down on both sides of the issue. See recent arguments about Pevear and Volokhonsky, etc. At Dalkey, we published a couple collaborations that Damion Searls did that were absolutely wonderful (I’m thinking of Jon Fosse’s Melancholy), and the retranslation of The Golden Calf that we’re releasing tomorrow is another excellent example of how translator collaborations can be extremely effective. In my opinion, however it happens, making more Arabic poetry accessible to English readers is indisputably a very good thing.

In terms of Farhad Shakley, here’s a link to his Wikipedia entry. [INSERT TYPICAL DISCLAIMER ABOUT WIKIPEDIA HERE.] Sounds like an interesting guy, both for his poetry and for the fact that he used to publish Mamosta-y Kurd, a Kurdish literary magazine.

Click here for the rest of the posts in the “Making the Translator Visible” series.




Comments are disabled for this article.
....
Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >