There’s a great fiction chronicle Sunday’s New York Times Book Review by Alison McCulloch. A few international writers are featured, including two of my favorites: Jean Echenoz and Robert Walser.
Ravel by Jean Echenoz has been getting some decent praise, and Ms. McCulloch calls it a “beautifully musical little novel.”
The Assistant by Robert Walser has already gotten some play here at Three Percent, and it’s great to see it get some deserved attention in the Times.
Benjamin Weissman reviewed the Walser for the L.A. Times this past weekend, and has this to say:
The Assistant has, at times, the rambling feel of a journal. Perhaps it could have benefited from a rigorous edit, but Walser fans will appreciate the loose approach. Not since Laurence Sterne has the digression been taken on such lovely excursions, in the form of a mental walkabout that occurs in nearly every scene.
Which makes me even more interested in reading this.
Kids these days. They think they’ve invented everything. The McOndo writers and Crack Generation, who so proudly buck the Magic Realist tendencies of García Márquez, who seek to find a place within Latin American letters sans spirits . . .. . .
When I was about two-thirds of the way through Neuman’s very ambitious, very engrossing novel, Bromance Will Evans asked me what I thought the purpose the rapist had in this book. Not who the rapist was—something that’s held in suspense. . .
“At night Amarâq is coated with a darkness as viscous as unmixed colors, neither the fjord nor the mountains, valleys, lakes, or the river exist, there is only a black mass, a void that spreads across the landscape sporadically, pressing. . .
If you’ve been following any of the recent Antoine Volodine talk going around Three Percent—both on the blog or on the podcasts—and have heard his fans wax obsessive over all his alter author-egos, you’re probably starting to feel some Volodine. . .
Muireann Maguire’s Red Spectres is a stunning and engaging collection of eleven Russian gothic tales written by various authors during the early Soviet Era, all but two stories of which are featured in English for the first time ever. These. . .
“The small stone plaza was floating in the midday heat. The Christ of Elqui, kneeling on the ground, his gaze thrown back on high, the part in his hair dark under the Atacaman sun—he felt himself falling into an ecstasy.. . .
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .