Over the past few months I’ve dropped hints here and there about the Reading the World podcast series that Erica Mena and I put together. We came up with the idea out of the last ALTA conference, and at the MLA convention this past December, we talked with a number of translators about their work and various issues related to international literature.
Well, at long last, we’re ready to release the first episode, featuring Lawrence Venuti, translator, theorist, and scholar. He talked with us about Edward Hopper, a collection of poems by Catalan author Ernest Farres that Venuti translated and that was published by Graywolf earlier this year.
In contrast to some of the upcoming podcasts—which include conversations with Susan Harris, Esther Allen, Suzanne Jill Levine, and Bill Johnston—this one’s a bit on the long side, but well worth it. Venuti is fascinating to listen to, and the way he breaks down his translation—and Farres’s project as a whole—is spectacular.
Anyway, you can listen to the podcast via this post, or by downloading it through iTunes (assuming that iTunes will start working again—it was having “technical difficulties” yesterday). And stay tuned—we’ll release episode #2 at the beginning of March . . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .