Over the past few months I’ve dropped hints here and there about the Reading the World podcast series that Erica Mena and I put together. We came up with the idea out of the last ALTA conference, and at the MLA convention this past December, we talked with a number of translators about their work and various issues related to international literature.
Well, at long last, we’re ready to release the first episode, featuring Lawrence Venuti, translator, theorist, and scholar. He talked with us about Edward Hopper, a collection of poems by Catalan author Ernest Farres that Venuti translated and that was published by Graywolf earlier this year.
In contrast to some of the upcoming podcasts—which include conversations with Susan Harris, Esther Allen, Suzanne Jill Levine, and Bill Johnston—this one’s a bit on the long side, but well worth it. Venuti is fascinating to listen to, and the way he breaks down his translation—and Farres’s project as a whole—is spectacular.
Anyway, you can listen to the podcast via this post, or by downloading it through iTunes (assuming that iTunes will start working again—it was having “technical difficulties” yesterday). And stay tuned—we’ll release episode #2 at the beginning of March . . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .