5 February 10 | Chad W. Post

The latest addition to our Reviews Section is a piece by Larissa Kyzer on Tales of a Finnish Tupa, adapted by James Cloyd Bowman and Margery Bianco from a translation by Aili Kolehmainen with illustrations by Laura Bannon.

I know we’ve been a bit slow about getting new reviews online, but now that the BTBA fiction longlist posts are winding down (to be replaced by posts about the BTBA poetry finalists), I swear we’ll be getting everything back on track, with reviews of the new Oe and Ugresic books coming in the next few weeks, along with some reviews my students wrote last semester and a look at the new translation of Gombrowicz’s Pornographia. Not to mention the new Handke book, etc., etc. There are heaps of good books coming out this spring for us to cover . . .

But anyway, digression over, this review by Larissa Kyzer—a regular around here who has a great interest in all literatures Scandinavian—is about a collection of Finnish folk tales that the University of Minnesota Press reissued last fall.

It’s a frequently-cited notion that fairy tales and folk stories provide children with a sort of moral or educational compass. Don’t stray from the path. Don’t talk to strangers. Work hard and be honest. Don’t trust your stepmother. But while we may generally associate this literary form with children, it’s certainly one that continues to resonate with adult audiences. As the German poet Friedrich Schiller has been quoted as saying, “[d]eeper meaning resides in the fairy tales told to me in my childhood than in any truth that is taught in life.”

Tales from a Finnish Tupa, recently reissued in a lovely illustrated edition by The University of Minnesota Press, will certainly resonate with contemporary readers for its humorous anecdotes which value enchantment and practicality in equal measure. The collection, which includes over forty “Tales of Magic,” “Droll Stories,” and fables, reverberates with themes of kindness to those in need, self-sufficiency, and common sense—as well as frequent encouragements to take advantage of anyone who does not exhibit the aforementioned qualities.

In “The Ship that Sailed by Land and Sea,” a young chimney sweep accomplishes impossible feats and wins a princess’ hand in marriage—but only with the help of the many magical strangers who he helped while on his journey. (As in many folkloric traditions, there are, apparently, simply dozens of unwed princesses just waiting for a resourceful fellow to come along and free them from the evil spells that bind them or sweep them away from persnickety fathers.) “The End of the World,” will be familiar to those who grew up with “Henny Penny,” telling the story of a foolish brown hen who thinks the world is ending after she’s hit on the head with an acorn.

Click here to read the full review.


Comments are disabled for this article.
....
The History of Silence
The History of Silence by Pedro Zarraluki
Reviewed by P. T. Smith

Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .

Read More >

Flesh-Coloured Dominoes
Flesh-Coloured Dominoes by Zigmunds Skujiņš
Reviewed by P. T. Smith

There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .

Read More >

Iraqi Nights
Iraqi Nights by Dunya Mikhail
Reviewed by Vincent Francone

In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .

Read More >

Three-Light Years
Three-Light Years by Andrea Canobbio
Reviewed by Tiffany Nichols

I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .

Read More >

The Little Horse
The Little Horse by Thorvald Steen
Reviewed by P. T. Smith

The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .

Read More >

Guys Like Me
Guys Like Me by Dominique Fabre
Reviewed by Peter Biello

We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .

Read More >

Birth of a Bridge
Birth of a Bridge by Maylis de Kerangal
Reviewed by Christopher Iacono

One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .

Read More >

Faces in the Crowd
Faces in the Crowd by Valeria Luiselli
Reviewed by Valerie Miles

At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .

Read More >

Fantomas Versus the Multinational Vampires: An Attainable Utopia
Fantomas Versus the Multinational Vampires: An Attainable Utopia by Julio Cortázar
Reviewed by Cameron Rowe

Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .

Read More >

Self-Portrait in Green
Self-Portrait in Green by Marie NDiaye
Reviewed by Lori Feathers

Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .

Read More >