9 February 10 | Chad W. Post

The “latest addition” to our Reviews Section is a piece on Nobel Prize winning author Kenzaburo Oe’s The Changeling, which was translated from the Japanese by Deborah Boliver Boehm and comes out from Grove Press in March.

Will Eells—who is a former Open Letter intern and did a fantastic job reviewing The Housekeeper and the Professor for us some time back—wrote this review, giving the book a very measured and thoughtful response.

Which is all great, but holy crap! Grove got a new website! One that works. One that has individual book pages, is easy to search, and, although maybe a bit cluttered, presents some damn good information about their titles. Well done! (Hey—is anyone at Houghton Mifflin Harcourt reading this? See—it’s possible for a website to make sense!)

Anyway, all that aside, here’s the opening of Will’s review:

Kenzaburo Oe, who won the Nobel Prize for Literature in 1994, has always been a novelist concerned with big, important ideas and big, important problems, and yet his works are always written on a much smaller scale, focusing on that one individual character and how he is affected by the world around him. One may never read a narrative so intimate and personal as Oe’s, which leads to some pretty dark places. It’s like reading someone’s private diary—inherently compelling, but afterwards you’re left with a sick, guilty feeling with the realization that you learned some things that probably should have been well left alone.

Oe has a profoundly honest view of what it is to be human, especially the parts we don’t always like to acknowledge: the selfish, self-destructing, contradictory parts. And Oe seems to achieve this power because his works really are very personal—events from his own life are often the main events of his novels, often with little dress up. Obviously writers draw from personal experience, but Oe’s seem to be the most transparent and forthcoming about the events in his life, for instance the well of novels, including A Personal Matter, that have sprung up because of his handicapped son Hikari.

The Changeling, Oe’s most recently translated novel published by Grove Press, is a work that directly addresses the relationship between fact and fiction in literature. The protagonist of the story is an established sixty-odd year old Japanese author who is sent a case of cassette tapes from his brother-in-law, a friend since their teenage years and now a famous movie director. The tapes are a series of monologues by the brother-in-law, in which he reminisces about their relationship over the years along with ruminations about their mutual artistic endeavors. On the last tape, the brother-in-law cryptically announces that he is now “going to the Other Side”, and then, nothing but a loud thump. And as soon as the protagonist hears this, his wife comes in to tell him that his brother-in-law was found dead—he had committed suicide by jumping off the roof of his office building.

Click here for the full review.


Comments are disabled for this article.
....
The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >

The Hatred of Music
The Hatred of Music by Pascal Quignard
Reviewed by Jeanne Bonner

Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .

Read More >

Fragile Travelers
Fragile Travelers by Jovanka Živanović
Reviewed by Damian Kelleher

In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .

Read More >

Nineteen Ways of Looking at Wang Wei
Nineteen Ways of Looking at Wang Wei by Eliot Weinberger
Reviewed by Russell Guilbault

Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .

Read More >

Radio: Wireless Poem in Thirteen Messages
Radio: Wireless Poem in Thirteen Messages by Kyn Taniya
Reviewed by Vincent Francone

Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .

Read More >

The Subsidiary
The Subsidiary by Matías Celedón
Reviewed by Vincent Francone

The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .

Read More >

Thus Bad Begins
Thus Bad Begins by Javier Marías
Reviewed by Kristel Thornell

Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .

Read More >